18
Nov
09

HOW GOOD IS THIS!!!??? – NUMBER 36

BEST ALBUMS OF THE NOUGHTIES

The daunting task of putting together something that you know lots of readers won’t agree with is never easy, but then we thought you could always go make your own lists.  At least we had the balls…

So the 50s had rock n roll, the 60s had it’s pop and folk, the 70s it’s punk, disco and glam, the 80s it’s pop, hip hop and hair rock, the 90s it’s grunge, brit pop and dance music.  It begs the question – what standout genre defines the Noughties?

In the age of the Internet, mass communication and rapid pace, it seems very few themes had a chance to settle.  Whether this is a bad thing for the adoring Teen is uncertain.  NME magazine were desperate to tie bands together, as we saw with their own invention of nu-rave, following the Klaxons debut.

So diluted are people’s tastes, that if you ask anyone what type of music they like, 90% will now answer, “…a bit of everything really“.  We are no longer Mods or Rockers, or into hip hop or rock.  We put this down to a number of cultural factors, but alongside the obvious invention of the Internet, one big influential change came with another man-made creation:  Ecstasy.

This drug meant that typical fans of rock music were missing out on all this drug-fuelled fun that the dancing ravers were having, so it meant dropping your guard and embracing the ‘other’ sort of music.  So it turned out that you could like rock music during the week, then pile into clubs for dance music at the weekends.  And so the dilution began…

Now we all happily enjoy “…a bit of everything” and that has to be good.  Gone are the clans and the cliques.  However, the Teenager may have lost out on the magical feeling of being part of a genre that defines your Tribe.  Are we no longer “Talkin’ bout Your Generation“?

And so to the list…gulp…

1.)  LCD SOUNDSYSTEM – SOUND OF SILVER (2007) :  The past, present and future all dispensed in one mind-shattering, occasionally apocalyptic, but ultimately life-affirming experience that went straight for the cerebral cortex.  This is very much the property of James Murphy, but it’s ripples can be found in many other artist’s subsequent work.  However, subtle ripples is all they are, as although truly great albums spawn many pretenders, nobody can repeat something as magical as this.  Indie, dance, punk, electronica, funk, pop, new wave, rock, it’s all in here.  At it’s peaks it is a crest of a tidal wave.  At it’s depths it has songs we want played at our funeral.  Truly special.


Best Track – All My Friends (ysi)

2.)  ARCADE FIRE – NEON BIBLE (2007) : This Canadian masterpiece, and it is a true masterpiece, simply couldn’t have been written by anyone else.  Finally, something otherworldly that wasn’t done in a self-indulgent, psychedelic way.  Their strong debut, Funeral, which was a lot of people’s best kept secret, made the follow up a definitive ‘difficult second album’, but they blew the myth out of the water.  Never before has an album felt so much like an all-encompassing, religious experience.  This is one cult we are all better off for joining.


Best Track – Intervention (ysi)

3.)  ARCTIC MONKEYS – WHATEVER PEOPLE SAY I AM, THAT’S WHAT I’M NOT (2006) :  It seems Alex Turner and co were never that keen on the limelight, which possibly dimmed with each subsequent album, but there’s no denying the consistent power of this massive debut.  They were the first true Myspace generation band.  Life was never the same again following those first few chords at the beginning of I Bet You look Good On The Dancefloor.  Singing in your accent finally cast aside any dominant American shackles that indie music had.  Cue adoring hoards, gorgeous girlfriends, and plentiful riches.  Damn that limelight eh!


Best Track – A Certain Romance (ysi)

4.)  RADIOHEAD – KID A (2000) :  This is the musical equivalent of a marmite album if ever there was one. It sounded like the future, from a band that truly embraced new technology and change, during the birth of the new millenium, when the rest of us were still learning to walk with it.  For a band that had showed off their talents on many previous occasions it was beautiful to see they still had this many clever tricks up their sleeve.  Never has an album been so anticipated, only to surprise us all upon it’s eventual release.  Amazingly, boundaries have continued tumbling with every album since.  This Oxford five piece are the definition of independent.


Best Track – The National Anthem (ysi)

5.)  THE STROKES – IS THIS IT? (2001) :  You could argue that the title’s clever question was immediately answered upon hitting play on an album that seemed to jump start the decade, just as the world was still looking for fresh ideas.  Strange really, as upon first glance it seemed very retrospective with it’s 70s garage rock influences.  However, this record , and it does feel like it should be called a record, had more ferocious power and lyrical comment hidden away.  Oh, and every single band member looked way cooler than anybody had for years!  This had an equally big impact on style as it did music.


Best Track – The Modern Age (ysi)

6.)  TV ON THE RADIO – DEAR SCIENCE (2008) : A tough choice, seeing as their previous attempt, Return To Cookie Mountain, was also very strong. It’s with their latest effort that we think they deserve their listing though. It’s a step up in our books. Unbelievably smart tracks, such as opener Halfway Home, or the equally original Golden Age, seem so thunderously strong that they came with a lightning bolt to the head included.


Best Track – Golden Age (ysi)

7.)  GREEN DAY -AMERICAN IDIOT (2004) :  Never before has a band switched from being the possession of the young to the wider acceptance of the adult music fan with such a thump as this Californian three piece’s 7th album.  Yes, that’s 7th album!  But this isn’t a case of monkeys writing out Shakespeare if given the time, oh no.  We always knew this band had ability, it’s just that true quality often takes time to evolve, (or grow up, if you like).  They kept their punk brilliance, but added in more politics and melody.  It’s argued this is the only good thing to appear as a result of George Bush’s existence.


Best Track – Holiday (ysi)

8.)  BLOC PARTY – A WEEKEND IN THE CITY (2007) :  Albums simply don’t get more urban than this.  Songs of both losing and finding love, this album scaled the emotional heights.  This was music made by people who had clearly built on the promise of their strong debut, Silent Alarm, reassuring fans that their full locker was the real deal.  This was a band who you can sum up in their lyric from one of the album’s highlights,  “Tonight make me unstoppable…and I will dazzle, I will outshine them all“.

An aerial night shot of a motorway junction with two levels. Lit sports pitches are visible in the top right-hand corner.
Best Track – I Still Remember (ysi)

9.)  THE LIBERTINES – UP THE BRACKET (2002) : Like all greatness they burned bright and then exploded, or should that be imploded, leaving every teen fan gasping for air and longing for reconciliation ever since. Touted as this generation’s Lennon and McCartney combo, Pete Doherty and Carl Barat have similarly never scaled the heights as individuals that they reached when their parts were combined. Fuck Robbie Williams, in a world of pop comebacks, this is the really big, glaring omission.


Best Track – Time For Heroes (ysi)

10.)  ELBOW – THE SELDOM SEEN KID (2008) :  We know a lot of people liked Asleep In The Back, but there’s a reason Elbow’s most recent album was more commercially successful, won massive critical acclaim and scooped the Mercury Prize.  Namely, it’s songs scaled heights (The Loneliness Of Tower Crane Driver), channelled raw power (Grounds For Divorce) and truly fulfilled the promise of their collective talents in one of the best show-closers of all time, (One Day Like This). Never before has reward been so deserving.


Best Track – One Day Like This (ysi)

11.)  THE YEAH YEAH YEAHS – IT’S BLITZ (2009) :   Their debut, Fever To Tell, and the follow up, Show Your Bones, had fantastic highlights, but their latest album offered up true consistency.  Adopting more electronics and synths, without dropping any of the craft we had previously witnessed, was both surprising and reassuring.  It worked well with their image and they retained lots of originality, whilst still managing to pander to a wider audience.  Interestingly,  it’s the only entry on this list from 2009.


Best Track – Zero (ysi)

12.)  BRIGHT EYES – I’M WIDE AWAKE, IT’S MORNING (2005) :  Touting him as the new Bob Dylan perhaps over-played his impact, but he’s probably the closest any modern artist has come.  No wandering songsmith has mastered the power of the lyric quite as well as Conor Oberst.  This is an album of brave honesty and clever ideas.  Only hearts of stone couldn’t connect to this album.


Best Track – First Day Of My Life (ysi)

13.) KLAXONS – MYTHS OF THE NEAR FUTURE (2007) :  This was one Mercury Prize winning album that truly deserved the recognition.  Adventurous, refreshing and more than anything, original.  Although they resisted the NME’s nu rave pigeon hole, there’s no denying this album caught the teenager’s imagination.  It’s style was copied by many and it even injected colour back into the world of fashion.  All eyes on what will be a very difficult ’second album’ then.


Best Track – Golden Skans (ysi)

14.)  THE WHITE STRIPES – ELEPHANT (2003) :  Although it’s predecessor, White Blood Cells, showed off many sparks of Jack’s genius, it was this follow up that eventually engulfed the world in red and white flames.  One guitar, one set of drums, one totally colossal sound.  It’s fitting that this rock duo, who plunder the genre of blues more than anything, make music that’s never been so stripped back to it’s basics.


Best Track – Hardest Button To Button (ysi)

15.)  JUSTICE(2007) :  Was this the peak in a hit and miss decade for the genre of dance?  This Parisian pair of hipsters spawned a whole new sub-genre, blog house, and influenced all dance music for the next two years.  Cue pandemonium in every live set.  Dance had never been so rock, they even ended their gigs with a Metallica tune!  Embraced by the online world, it seemed fitting that an electronic piece of cool turned us bloggers on so much, as that’s precisely what we (incorrectly) think we are!  It’s the album Daft Punk wished they had made, yet it wouldn’t have existed without them.


Best Track – DVNO (ysi)

16.)  THE FLAMING LIPS – YOSHIMI BATTLES THE PINK ROBOTS (2002) :  This band really are in a world all their own and for this unique album we were all transported there, (aboard a pink spaceship, captained by Wayne Coyne).  A truly magical piece of work with many outstanding peaks.  Alternative rock has never been so refreshingly creative. The tour that followed was equally as mind-blowing.


Best Track – Do You Realize? (ysi)

17.)  FOALS – ANTIDOTES (2008) :  OK, so the genre attached to this group was one of the most short lived in history, but these purveyors of math rock were one of the shining lights in 2008.  A mangled collection of influences, this was truly intelligent music, with brilliant jarring guitars played high up the neck.  It was as sharp as it was original.


Best Track – Cassius (ysi)

18.)  MUSE – BLACK HOLES AND REVELATIONS (2006) :  If you could attach a scale of size to music, then this Cornish, yes Cornish (!), trio would be well off it.  Their music is truly fucking huuuuge!  Previous albums seemed a little trite and over the top, but interestingly this follow up was all the better for going ever further over it.  Never before has a band taken such a giant, confident leap into a stadium.


Best Track – Invincible (ysi)

19.)  FRANZ FERDINAND – FRANZ FERDINAND (2004) :  This showed the kids that you could dance all night long without needing electronics or Ecstasy.  As British as gets, it had barrellfulls of pomp, art, intelligence and wit rolled up inside it.  The instant you heard the riff drop 55 seconds into Take Me Out we were all properly hooked.  You had forgotten it won the Mercury Prize too didn’t you?


Best Track – Take Me Out (ysi)

20.)  EMINEM – THE MARSHALL MATHERS LP (2000) :  He may have exited stage left since, but this angry, little white man had the world of the white teenager in the palm of his hands and that was as dangerous as it was fair.  On show was his comedic, rapid flow (The Real Slim Shady), his schizophrenic darker side (Stan) and his most biting anger (The Way I Am).  All produced by the mastermind of hip hop, Dr Dre, before Jay Z deservedly stole that crown.


Best Track – Stan (ysi)

21.)  SUPER FURRY ANIMALS – RINGS AROUND THE WORLD (2001) – This is lush, gorgeous pop at it’s kaleidoscopic best.  An album has never been so multi-layered, which sometimes even made it inconsistent, but that’s the Super Furry Animals in a nut shell.  It’s outstanding melodic heights, which at their best are comparable to The Beatles, are perhaps not surprising since legends likes Paul McCartney and John Cale provided cameo support on it.


Best Track – Sidewalk Serfer Girl (ysi)

22.) IAN BROWN – MUSIC OF THE SPHERES (2001) :  To our generation The Stone Roses were as important as The Beatles.  If a solo album was to appear after their split, there had to be some quality hidden in there.  It was refreshingly found in Ian’s third solo attempt.  Often bleak and minimal, often rich and tuneful, it’s the timelessness that will keep it as a favourite for many years to come.  At it’s heart it’s essentially the sound of promise being fulfilled.


Best Track – F.E.A.R (ysi)

23.) DJ SHADOW – THE PRIVATE PRESS (2002) :  So Endtroducing was possibly his best work, but this was the most accessible album from Josh Davis.  From those opening warped chords of Fixed Income we were totally hooked.  This was the world’s most masterful sampler at his most intricate.  So wide was it’s variety you could dance to one track, then let your sofa eat you up in a stoned haze to the next.


Best Track – Six Days (ysi)

24.) JAY-Z – THE BLACK ALBUM (2003) :  Although the Blueprint series of albums, including 2009’s, are all great, it’s actually this one that made us fall for Jay-Z’s charms the most.  Famous for it’s variety of producers, from Kanye West, to Rick Rubin, to Neptunes, not only gave Sean Carter the tightest album of all time, but it was a showcase of the power this ex-hustler had obtained.  (It even gave birth to an album that could’ve featured on this list, Danger Mouse’s Grey Album, mashing this and The Beatles White Album to great effect).  This is a hip hop master stroke, by a hip hop master, at his smooth story-telling best.

Best Track – Dirt Off Your Shoulder (ysi)

25.) LEMON JELLY – LOST HORIZONS (2002) :  Original doesn’t quite do it justice!  During live sets they’d play Bingo, get the crowd to hand out sweets to each other, play spot the fan by putting his face on a giant screen, sell t-shirts instead of tickets making you wear them to get in etc etc!  As for their albums, this was their masterpiece.  Inventive, original, but above all a shit load of memorable fun.


Best Track – Rambling Man (ysi)

OK, so let us have you responses.  We know you won’t agree, so vent in the comments section please.  Got a list of your own?  Let us know.  Obviously we were missing some big artists here, so who do you think were the glaring omissions?

Doing this list was perhaps one of the biggest posts we’ve ever done, but rest assured that this was an absolute joy to do.  Perhaps you too should reflect on your favourite musical highlights of the decade?  Somehow, it’s reassured us that this world can still produce amazing, original and timeless music.

See you back here shortly for ‘The Best Tracks Of 2009‘ post.  Nice.
(by MB)

15
Nov
09

THE RECOMMENDER – NUMBER 62

KiT

How is it that every time we come across a band from Paris it makes us want to be right there, in their beautiful, hipster culture?  It’s probably the same factor that made us want to live in Brooklyn when we discovered Sleigh Bells, or Los Angeles when we first came across Heartsrevolution, or Berlin when, or Manchester when, or, or, etc.  OK, to be fair, our home town of Brighton is plenty cool enough thanks, but this three piece from the Gallic capital are definitely made from that most attractive of purest hip.  We are suckers for the sexy vocalist, complete with every word seemingly breathed out, rather than sung.  It’s all so effortless and it challenges you in a manner not seen since the likes of Billy Corgan or Debbie Harry before him.  This all drifts over the top of a lo-fi electro synth and disco beat that simultaneously captures the minds attention whilst  moving your feet in all directions.  This is care-free music, made by care-free imaginations, for care-free music fans.  It’s hard to know why the blogs haven’t gone totally bananas for this pleasant piece of Parisian pop, as they’d slot onto a Kitsune Maison Compilation with ease.  They tick all the right electro boxes and serve up the kind of magic that many blogs stick to as part of their strict diet.  Perhaps it’s simply early days for them, or the publicity machine hasn’t yet got into gear.  It will eventually, but for now it’s perhaps Paris’ secret.  As for us, we’re going to have to get around to organising that goddamn city break.   (MB)

Find them here:        Myspace

Hear them here:       KiT – ANIMALS ysi

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SILVER COLUMNS

For crying out loud!! We’re getting very bored with the amount of new bands that are deciding to hide their identities from view. From the likes of Fake Blood to Golden Filter it seems people are forever shunning the front of the stage by not confirming who is behind the music. Why they do it is something we seem to be talking about on a regular basis. Perhaps its to restrict the rapid pace in which blogs and the wider online community bore people to death by diluting music through the scrutiny, sharing and critiquing of everything new?  Perhaps not allowing people to know who you are holds something back, giving the artist a sense of empowerment?  Either way it’s over-done now, so much so that it would almost be a better publicity stunt if you actually showed your face and confirmed your name!  Anyway, Silver Columns didn’t even have a Myspace when we first caught wind of them, but although that’s now been corrected, their identity is still being held back.  Apart from this irritation their original music and superb remixes are fantastic.  They also clearly get Joe-Hot Chip’s approval as he has remixed their track, Brow Beaten, to brilliant effect (see below).  Their hearts beat disco and their synth riffs bleed the kind of choppy rhythms we adore.  This kind of dance music is a little on the camp side, as you will hear with their vocal mantras, but it’s in a good way, like it’s fearless, rather than fluffy.  One thing this lot seemed to have learned, identity or no identity, is that it’s all about the music.  However, in defence of us bloggers, it always has been really.   (MB)

Find them here:      Myspace

Hear them here:     SILVER COLUMNS – BROW BEATEN (Joe Hot Chip Remix) ysi

REDLINE.jpg Red line picture by odelaybradford

FYFE DANGERFIELD

We aren’t particular fans of Fyfe’s other regular band, the well known Guillemots, for which he sings lead vocals.  For a long time they’ve let us down on the promise they seemed to hold, with their classically trained abilities, as their songs waft between dull and slightly more dull, only coming up for quality air with one decent track per album.  Anyway, we aren’t talking about Guillemots today.  Why their lead singer Fyfe should get a mention on here when we consider his other band so poorly is a little bit difficult to pin down, as there aren’t that many initial differences.  Suffice to say, particularly on the track we attach below, it seems he has magically managed to fill in all the gaps left by the Guillemots.  The gaps where all those killer melodies and pop hooks were sitting.  The gaps where the fuzzy keyboards, beat-claps and chunky samples reside.  Gone are the bored, lifeless tunes and in their place you find an electric, funked-up selection of proper pop. Thank fuck for that.  His vocals seem released from their previous restrictions, which is evidenced more clearly on other solo tracks where he provides a lot more natural spirit and bravery. Guillemots will no doubt be supportive, however, we hope that they now realise that it’s Fyfe who’s clearly their best chance of a good peak.  His solo album, Fly Yellow Moon, is due out January 18th 2010.    (MB)

Fyfe Dangerfield   When You Walk In The Room listen

Find him here:        Myspace

Hear him here:       FYFE DANGERFIELD – WHEN YOU WALK IN THE ROOM ysi

10
Nov
09

THE RECOMMENDER – NUMBER 61

DETROIT SOCIAL CLUB

If you like Kasabian, you are going to love this six piece. They may describe themselves as “big beat junkie folk“, but they’re wrong, they are the new Kasabian. It’s that simple. There’s a little bit of bluesy Primal Scream in there perhaps, possibly even a little bit of Oasis, but mainly Kasabian. We won’t be ending the critique there however, because they also happen to write fucking awesome tunes. Very much like Kasabian do actually. You know the sort of songs; absolutely giant, sing along, room-filling, killer, foot-stomping monsters. They even have that kind of “na na na na na” bit in the middle of a track, so that the inner football fan inside you can scream along at their gigs. Again, this is no bad thing. It’s music to get swept up and feel pumped by. There’s not a lot of re-invention here, as they musically look a little backwards, but there’s no denying their collective ability to write an atmospheric anthem that occasionally goes a little psychedelic (you know for the stoners, in the same way Kasabian did). It’s a big sound, as is perhaps expected from a band that lists five members as guitarists. And big is what they are going to get, to go with their big Polydor record label signatures and eventual big venues in which to play their big singalongs. However, if you don’t like Kasabian, it’s probably fair to assume you won’t be enjoying much from them. Saying that, if you don’t like Kasabian you wouldn’t have gotten past the first line in this review.      (MB)

Find them here:               Myspace

Hear them here:               DETROIT SOCIAL CLUB – SOLDIERS ysi

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PARALLELS

I don’t know about you but I’m sure getting that jaded feeling from all these 80s obsessed synth bands that currently clutter up the music scene.  So it comes as some relief to find that Toronto synthesizer trio Parallels are obsessed with the 70s instead. To be exact, it’s that decades brand of light electronica, often seen being produced by the likes of Giorgio Moroder, or Sparks (circa their Terminal Jive LP).  They take both of these influences and use the pulsating, moving basslines and oscillating effects to blend them with a certain sexy knowingness. It’s similar to the type of irresistible lure that Ladytron mastered to perfection.  Arpeggiator-driven melodies underpin the sweet vocals of electro siren Holly Dodson, who has the voice of a young Madonna on the tunes Ultralight and Dry Blood. Additionally, she’s found turning on some enticing, breathless, emotional vocals with the broodier and darker soundtrack Ghost Machines.  They were formed in 2008 by Crystal Castle’s tour drummer, Cameron Findley, who has aimed for a more sophisticated blend of hi-NRG disco and electronic pop, making them sound like a synth band for grown ups.  An album is set for release at some point before the end of 2009, but for now you can hear tracks from their previous three EP’s on Myspace.      (DV)

Find them here:       Myspace

Hear them here:      PARALLELS – ULTRALIGHT ysi

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THE LOOM

It seems like we write about bands from across the bridges and tunnels of New York every other post on this blog at the moment, so frequent are the arrivals in The Recommender’s inbox from that part of the world.  No doubt this is on the back of the awesome CMJ festival that recently occurred there.  A festival that opens many loft apartments and warehouses to the public as spaces in which to showcase contemporary music.  Recently spotted on our radars from this event include Freelance Whales, which we covered here, and Sleigh Bells, who we listed here.  So perhaps the final band that is to emerge on the back of all the blogging buzz is The Loom.  Already one EP in, At Last Light, they are rumoured to be currently recording their debut full length album, which they’ve requested fans to help fund.  This multi-instumentalist, (in the truest sense of the word), six piece from Brooklyn sit just the right side of folk music, but only just.  OK, so there’s banjos and ukulele and female vocals that seem straight out of the Irish sixties, but it’s the beat-claps and John Fanning’s vocals that lift it into a slightly more contemporary box. It’s got great melodic parts, in the essence of Arcade Fire and the aforementioned Freelance Whales, but without the pop or snare drum. It may be a little twee for some of you, but we think there’s still plenty in the locker to enjoy here. Perfect for the winter ipod.   (MB)

Find them here:     Myspace

Here them here:      THE LOOM – SONG FOR THE WINTER SUN ysi

REDLINE.jpg Red line picture by odelaybradford

On a totally separate note, we are looking for anyone who knows which sort of video camera films this sort of quality video? We want one. Badly…

06
Nov
09

THE RECOMMENDER – NUMBER 60

THE GOOD NATURED

We are often posturing about who the next big things are going to be.  Is it wrong that just the other day someone was stating a new artist as “…the next Little Boots“, when Victoria’s debut album only came out in 2009!  It’s appreciated that blog’s often catch onto these things many months before the wider commercial success comes, so we were aware of Little Boots a long time ago, but there is still this relentless hot pursuit. Will the men’s 100 metres always get faster?  Guess it will won’t it?!  Us critics perpetuate this ‘race for success’ as we want coverage of that success, so any artist is doing exceptionally well to have any lasting power these days, no matter how good you are.  Anyway, we digress.  Here’s an artist that is, wait for it, the next Bat For Lashes!  Well, Natasha Kahn’s been here for ages hasn’t she so it’s alright to locate a new one isn’t it?  This effectively a female solo artist, real name Sarah McIntosh, who plays a kind of Kate Nash-styled leftfield indie, however The Good Nature’s sound is far more awash with majestic beauty.  Obviously nobody can quite replicate Bat For Lashes, but we promise we won’t be the only ones to draw these comparisons.  Sarah has an equally mesmerising skill for penning a confident song, packed with whirling melodies and strong choruses.  She kindly emailed us the below mp3, so let us know your thoughts.  She may still be in her teens, (she’s only just  started at Westminster Uni), but with her age, her ability, and the odd useful comparison on her side, she has a successful future ahead.  We will even be confident enough to state that her success might just be enough to stop us looking for the next version of The Good Natured in 6 months time.   (MB)

Find her here:       Myspace

Hear her here:       THE GOOD NATURED – YOUR BODY IS A MACHINE ysi

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LOST KNIVES

When does a collection of similar bands, from one city, at the same time, become a new scene?  Often these movements involve a batch of new bands, from one particular geographical location.  Over the decades we’ve known of many such scenes, from Liverpool in the 60s, to Birmingham in the 70s, Manchester in the late 80s and early 90s, and Seattle had one that took over the globe through that same period.  Our business at The Recommender is to oversee the world’s various music scenes and spot those bands that are hopefully reaching out above the steep walls.  On this note we have recently been turned on to Lost Knives, who hail from Manchester, and we are wondering if we have had the priviledge of seeing a new music scene at its seedling stages.  On the back of all the current hype surrounding Hurts and Egyptian Hip Hop, who have both recently arrived from the same Manchester venues, we wonder if we are observing something bigger?  However, three bands don’t make a scene and they barely share a unique sound, so perhaps we are wide of the mark here.  One thing for sure is Lost Knives are worth some excitement.  Rolling drums, lyrics about loss and fear, an immense shuddering guitar, it’s all there.  It’s climactic indie rock at it’s best, washing over you, only to eventually pull you under.  It’s passionate music, played on the edge of life, where things get scary and exhilarating in equal measure.  This four piece don’t need a wider Manchester scene to make it, they have plenty enough on their own thank you very much.     (MB)

Find them here:       Myspace

Hear them here:       LOST KNIVES – COLD MORNING ysi

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OH NO ONO

If MGMT and Flaming Lips are as psychedelic as your ipod gets then this Danish five piece are possibly one eye rolling experience too far.  Although they are new to us at The Recommender, they’ve released an EP and a couple of albums since 2005.   They came to our attention via the Friendly Fire record label and a fantastic, imaginative video for their tune, Swim, directed beautifully by Adam Hashemi (attached below).  Scandinavia has been pushing the envelope in indie and pop music in recent years, with wonderful acts such as Casiokids, Datarock (both Norway) and more recently Le Corps Mince De Francoise (Finland), amongst others.  Are they perhaps more free from the industry’s constraints than the USA and the UK?  Perhaps they’re are simply willing to be more experimental?  It is this freedom and creativity that is a breeding ground for the kind of amazing songs Oh No Ono produce.  It is also the same thing that makes it all a little hit and miss on occasion too.  This is not music for absolutely everyone, but it’s not simply for an LSD guzzling hippy either.  The Psychedelic moments are only touches and beyond them there are some outstanding, intricate melodies hidden inside each brave tune.  Vocals harmonies that almost seem like a The Beach Boys on occasion and echoing chimes that seemingly circle somewhere inside your inner ear.  At it’s most climactic and beautiful it reminds us of Sigur Ros.  At it’s most dreamy and magical, and it really is often dreamy and magical, it seems like a fantastical, quirky film score.  However, there is also a lot of pleasant pop, a tin full of beats and the odd electronic bassline on tracks such as Helplessly Young and Thanks No Thanks.  Can you please let us know your thoughts on such a boat-pushing selection of tracks such as these?    (MB)

Find them here:        Myspace

Hear them here:        OH NO ONO – INTERNET WARRIOR ysi

04
Nov
09

THE GIG LIST – NUMBER 33

What have you got planned over the next couple of weeks? Not much? Then we strongly suggest you get yourselves down to either of the two gigs listed below. Both are due in Brighton through November from a pair of bands so masterful we’d be embarrassed for you if you missed them!

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WE WERE PROMISED JETPACKS

We cover two gigs today that show off one established act and a  band who find themselves at a rather more humble beginning.  It’s fair to say that this Scottish four piece pack no lesser punch however.  We adore them, having previously covered them here and here. If you could bottle the energy and power that this young band play with then you would out-sell Coca Cola.  With drums and guitars that sound as if they’re being played by Thor himself and their ability to pen a raucous indie track of hurricane proportions, they already seem a finished article.  They released their outstanding, gutsy debut album, These Four Walls, earlier this year and it’s about as jammed with magical talent as a savant conference.  As an absolute necessity in anyone’s collection it will surely feature on this blog’s ‘Best Of 2009′ list.  They also have a double A side single due out on 30th November. What is really worthy of our attention is the quite unbelievable vocal ability of Adam Thompson.  It’s worth the effort to get to this gig simply to catch him singing in his strong Scottish accent.  In a world of X-factor, with its moisturised, scripted pop stars, seeing Adam giving what is truly an amazing showcase of authenticity, is about as refreshing and sincere as it gets.  Stepping into the centre of this hurricane will surely wash Simon Cowell and his formulaic nonsense out of your hair forever.   (MB)

ACT:                     WE WERE PROMISED JETPACKS
VENUE:                THE FREEBUTT, Phoenix Place, Brighton
COST:                   £ 5.00
DATE:                   Friday 13th November 2009
WEBSITE:            Myspace
TRACK:                WE WERE PROMISED JETPACKS – QUIET LITTLE VOICES (Live) ysi

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BRAKES

More high-octane guitaring will be found playing Brighton this month with Brakes visiting Komedia.  Made up of members out of Electric Soft Parade and British Sea Power, they seem to enjoy re-living that kind of late 80s, Seattle, Sub Pop indie that’s got lots of slick rumbling bass (Heard About Your Band). However, they also attempt to bring it up to date, in the same way Snow Patrol had done in previous years, with the occasional pretty songsmithery  (Worry About It Later), followed by the kind of maxed-out tune that vibrates right through you (Two Shocks, Red Rag). They come from Brighton, so this gig is something of a home coming performance, which generally means you will receive an additional 10% more energy, although with a number of albums out it’s unlikely their mum’s are still attending their local shows. This small tour is to promote the release of their new live album, Rock Is Dodelijk (out 2nd November).  Although previous albums came out on Rough Trade, they’re now releasing through the outstanding Fat Cat Records, who are one of Brighton’s finest having also signed up (the above) We Were Promised Jetpacks, Twightlight Sad and Frightened Rabbit. They clearly have an appetite for signing the kind of powerful indie band that enjoy placing their audience in a wind tunnel of guitars. If this is also your idea of a good night out, then get down to Komedia, but perhaps make sure you ready yourself by holding onto something eh.   (MB)

ACT:                    BRAKES
VENUE:               KOMEDIA, Gardner Street, Brighton
COST:                  £ 9.00
DATE:                  Monday 9th November 2009
WEBSITE:           Myspace
TRACK:               BRAKES – DON’T TAKE ME TO SPACE (MAN) ysi

30
Oct
09

THE RECOMMENDER – NUMBER 59

WILD PALMS

We predict that this band are going to split you lot down the middle. It’s not that there’s anything wrong or that we’re not recommending without our usual thorough conviction, but there’s a sharp bite and a pair of bollocks that come with this north London four piece. Their daring mix of originality alongside their obvious retro gothic rock influences is precisely what camp dividing is made of.  It is similarly their ability to not only take from the old, but add in a key fresh new ingredient, that so many other similar bands fail to do, that makes them so likeable. Their peers are stealing and replicating former sounds from the new wave and gothic movements without adding in their own thoughts. Wild Palms stir in something that’s not heard before and that allows them to break the surface for us. Razored guitaring chops like a helicopter blade, (were it being flown by Foals), whilst thundered beats drive their songs along at a pace. It’s the vocals from frontman Lou Hill, that wander brilliantly from Andrew Eldritch (Sisters Of Mercy) choruses, right over to Henry Dartnall (The Young Knives) verses, that make the music shift from back to front so much. Their tune, Over Time (listed below), was emailed to us in recent days and it’s a shining example of precisely our thoughts. They can be seen out on tour in support of Good Shoes at the end of November and start of December.  (MB)

Find them here:      Myspace

Hear them here:      WILD PALMS – OVER TIME ysi

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FLASH BANG BAND

This band are a new talent from our home town of Brighton, who fly in the face of all the doom pop (see critique above and indeed below) and electro pop that’s currently dominating not just our local scene but most of the UK this year. Still unsigned and going barely a full year, this four piece are hardly out of their wrapping yet, so the music often seems somewhat unpolished, but it adds to their charm. Once they pen a deal, and they will pen a deal, a little gloss will be applied to their encouraging tunes. It would be kind if they cut out the bullshit, stoner moments of self-indulgence (making sheep noises is sadly not hilarious to anyone but them!), but if they focus on the warm, well-constructed parts of their songs, then they just might create a future full of opportunities. Their music is outstanding in parts, reminding  us of Blur or even the Kinks at their sunniest. There’s a tidy brass player, some very pretty guitars and even a spot of whistling, which we always regard as somewhat brave. Fans of Super Furry Animals, or the more recent Birds & Batteries will enjoy the more experimental sides that are shown in the vocal layers and acutely enjoyable lyrics, “I’m just looking for the plot, I seem to lose it quite a lot”. Well this is one plot that remains unfinished, but our eyes will be fixed on finding a happy ending. Our favourite tune to date, The Rhythm Inside You, is listed below for your review.    (MB)

Find them here:       Myspace

Hear them here:      FLASH BANG BAND – THE RHYTHM INSIDE YOU ysi

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CHAPEL CLUB

As soon as we mention the genre of doom pop, (see the above critique), another one appears in our inbox that slots directly onto the Recommender iPod alongside the likes of Lyrebirds, Motorama, etc. Such is the prevalence of this type of band these days that we are in danger of drowning in the wave of echoing misery. Perhaps it’s a sign of these economic times, perhaps it’s simply because bands like The XX and Mirrors seem to be doing so well for themselves? Either way these guys are so young and fresh that their music wouldn’t even be allowed onto Alton Towers‘ rollercoasters. Refreshingly, unlike the clouds that hover over the likes of The XX or Lyrebirds, these guys sing of hope and love. Piercing guitars and basslines that enter you through the chest, ride under the vocals of frontman Lewis with the sort of undercurrent that will sweep you away forever. Even though they have had plays on Radio One with their amazing track Surfacing (see their Myspace), they’re still not yet plastered all over the blogs, which is amazing considering their power, intensity and instant appeal. Mike from the band mentioned to us that they hope to do a vinyl release of the tune before the end of the year and there’s the possibility of future EP’s in 2010 as they chase that elusive record deal. One thing is for certain, they’ll be signed soon enough and once those flood gates open we suggest you close your eyes and simply dive right in.    (MB)

Find them here:      Myspace

Hear them here:      CHAPEL CLUB – AFTER THE FLOOD ysi

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Question – Do you like the bands that The Recommender covers? If so, would you like to come to an event hosted by this blog showcasing these bands? It’s just a thought. Answers on a postcard please, (or, if it’s easier, in the comments section…)

26
Oct
09

THE RECOMMENDER – NUMBER 58

WASHED OUT

This very exciting artist comes from Perry, Georgia, of all places.  It’s perhaps a little surprising to find that one of the most promising genre-crossing electronic artists of late hails from a small town that boasts of its “slower pace” and “helping of Southern hospitality”  However, reading that Perry considers itself to be a “warm and gracious” place puts the pieces together.  This is because Washed Out’s currently sold out EP, Life of Leisure, released through the appropriately named Mexican Summer, delivers a soothing sense of warmth and acceptance with every song.  Many blogs seem to be struggling with words to describe Ernest Greene’s sound, and songs like You’ll See It (attached below) and Belong will show you why.  There’s this wonderful, dreamy, wide open sky sound to it that makes you think of soft grass and long lethargic days of summer.  Greene’s songs also stretch beyond the long summer days and into the thoughtful spaces of fall.  There’s also a second skill that’s surfaced, which is in evidence in his exceptionally lovely remix of a Small Black track, (also attached below).  This is the music we wished we could have slow danced to at school discos, but then again they were sadly never this cool.  This fella really is something special.  And if reading this doesn’t make you nostalgic, then the fuzzy hum of his cassette-only (!) release, High Times, certainly will.   (OG)

Find them here:       Myspace

Hear him here:        WASHED OUT – YOU’LL SEE IT ysi
Hear him here:        SMALL BLACK – DESPICABLE DOGS (WASHED OUT REMIX) ysi

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SLEIGH BELLS

Really, really exciting new bands somehow appear with a thumping impact.  You know the sort.  They arrive riding a bomb, that explodes in your face like a thousand unexpected money shots, forcing you to sit up and take note.  Well, considering this Brooklyn duo named themselves after the rather twee instrument normally adorning Santa’s ride, they actually came onto our radars with one of the loudest booms around.  They provide the type of excellent, noisy punches that head straight for your ear drums.  On the track Infintiy Guitars they throw out a loose, chaotic, punked sound that Alice Glass would approve of.  However, instead of any reliance on electro samples they appear to have more rounded dimensions.  It’s all about a stripped down brand of music, like hip hop at it’s most street level, this is noisy stuff, with heavily distorted beats, overlapped with the seductive vocals of Alexis Krauss.  She’s paired up with Derek Miller, who used to be found playing with Hardcore band Poison The Well, and even though he enjoyed a reputable contribution to their scene, is now testing his talented hands in this new direction.  Fans of Santigold’s noisy clamour, MIA’s rapier impact and Heartsrevolution’s sentimental attitudes will love this for sure, but as you will see on tune Ring Ring (attached below), you will see that they aren’t afraid to pen a summer ballad too.  This is music without fear, a big heart and a bright future.    (MB)


Find them here
:       Myspace

Hear them here:      SLEIGH BELLS – A/B MACHINES ysi
Hear them here:      SLEIGH BELLS -  RING RING ysi

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GAGGLE

By definition the word Gaggle means a flock of geese not in flight, or an unorganised group of people doing nothing. On both accounts these terms fail to sum up this Messianic, Nu-rave, robe-wearing, all women Alt-choir, but then what term could?! Their Cockney, street level brand of social and political lyrics are delivered in apocalyptic annunciations, like a scary girl band of harpies! It’s non-generic, it’s very original and it’s brilliantly rammed with doom and power in equal measure. On their most impressive track, Hidden Army, a Roman galleon drum stomp keeps step as the ladies sing in an almost mocking disdain of hiding ones head in the sand and the failings of men. With the excellent song Crows and with the even better remix (attached below), they’ve managed to compose the soundtrack to some Biblical epic from MGM studios. It’s like they’re staging a feminist, operatic production of Homers Odyssey, with massive, brooding and atmospheric choruses. This menagerie of 22 sassy women, led by Deborah Coughlin, built up their stage act over this summer’s festivals and they garnered plenty of useful coverage through Radio 1. With no dates yet organised for a single release the only way to catch them is in the flesh, which is precisely what they confidently claim to want to tear off your body piece by piece. If you dare, it shouldn’t be difficult to catch them as they have a heavy workload of concerts up to Christmas all over the UK.  (DV)

Gaggle2.jpg image by themadgeorge


Find them here
:        Myspace

Hear them here:       GAGGLE – HIDDEN ARMY ysi
Hear them here:       GAGGLE – CROWS (SPAWN OF GAGGLE REMIX) ysi

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If any of you lucky readers found yourselves at New York’s big new music event, CMJ over the last few days, together with it’s wealth of after parties, feel free to comment your experiences. Did any of you catch Sleigh Bells’ or Washed Out’s shows?

23
Oct
09

HOW GOOD IS THIS!!!??? – NUMBER 35

We have a little comparison on the blog for you today. There’s been some kind of coincidental theme running through this week, so we thought we would post about it. Two separate videos by two amazing female solo artists got released to the wider public this week. Both these girls are Recommender favourites and due for big  things. Very big things.

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ELLIE GOULDING

IMG_3969.jpg Ellie Goulding picture by odelaybradford

The first is Ellie Goulding, (who we first blogged about here). Perhaps the slightly lesser known of the two we show off today, but certainly not the lesser talent. We managed to secure her for a quick photoshoot (more uploaded on our Flickr soon!), as her support of the Little Boots Tour marched into Brighton this week. She was very playful, happy, excited and a wonderfully easy subject. This same week, her video, for single Under The Sheets, (out in November under Neon Gold Records and produced by none other than Starsmith!), arrived in our inbox and it’s a blinder. She’s also secured a slot on Jools Holland next week, so we expect her cloud of buzz to become rather mushroom-sized in the coming days.

ELLIE GOULDINGUNDER THE SHEETS ysi

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MARINA & THE DIAMONDS

The second video to float under our gaze this week was for the track Mowgli’s Road by Marina & The Diamonds, (an artist that’s had plenty of coverage on The Recommender here, here, here, here and here).  Directed by Chris Sweeney, it’s a strange affair, but creative and mesmerizing all the same. The single is getting it’s release on the major label, Atlantic, having previously been on the indie label Neon Gold before now. It’s our favourite tune of hers to date, so we are pleased that she’s hitting the wider audiences with this extraordinary song. The album will likely be out early next year. It’s going to be as big as it gets.

MARINA & THE DIAMONDSMOWGLI’S ROAD (MILLE REMIX) ysi

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As always, we are interested in getting your feedback on which video and artist you prefer? Let us know your reviews of them in the comments sections. Which artist do you think will make the biggest impact?
(MB)

19
Oct
09

THE RECOMMENDER – NUMBER 57

LA CORPS MINCE DE FRANCOISE

Are blogs really the modern taste-makers they proclaim to be? OK, so we stamp our self-proclaimed authority on new music, but really we’re simply the stream in which it flows, rather than being its source. The surfers of scenes and the social butterflies of new music if you will. Bands and record labels are the ones that actually carve out the direction. We are the reporters, giving voice to the good out of the plethora of crap that’s out there, making sure that the bands and labels we use as a source are equally as authentic as us! That’s where the Parisian record label Kitsune slot in nicely. Their annual compilation albums, which showcase new music they’re involved in, always provide a surprise or two with each year’s release. The 2009 compilation, the eighth in the series, which is out in November, is no different. The pick of the bunch this year have to be La Corps Mince De Francoise. This Scandinavian triplet of beautiful women pump out the sort of lure that will latch onto each and every one of the ears they drift past. They write fantastically adventurous tracks, packed with sampled synth layers, in a totally fearless and engaging mix. Mostly singing in English but with the kind of thick accents that we used to enjoy from CSS, they are playful, exuberant and full of hooks, breaks and melodies. You will fall in love and the matchmakers you can thank are not us, but Kitsune.       (MB)

Find them here:        Myspace

Hear them here:       LE CORPS MINCE DE FRANCOISE – SOMETHING GOLDEN  (LENNY PICKO REMIX) ysi
Hear them here:       LE CORPS MINCE DE FRANCOISE – COOL AND BORED ysi

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DIAMOND RINGS

The 1980s influences and references have been prevalent in the extreme throughout 2009. Deep down we all know it was a mostly horrible decade of decadence that threw up in the face of culture, so some day soon an artist will wake us from this neon haze. Perhaps Diamond Rings over the top 80s indulgence will signal precisely this. Perhaps not. This fella pays homage to what on the surface seems to be nothing but lame American, mid-80s suburban influences, yet on closer inspection we find some infuriatingly catchy and cleverly constructed pop. This side project from John O’Regan, (of Toronto band The D’Urbervilles), acts as a feel good, faded denim jacket and eye make up nod to MTV. The excellent track, All Yr Songs, is cleverly woven into a lament for a more innocent time, conjuring up images of Tiffany and the John Hughes Ferris Bueller period of the USA. A wood block percussion, an electric guitar and a brooding synth underline twee declarations of lending your sweater to your girl when it’s cold, finishing with the line “I never want us to grow old”. What turns this into a cool and vital purchase is that it’s all done with such flair, oh and an enormous tongue lodged into it’s cheek. No gigs are as yet planned for the UK and unfortunately his single has sold out but you can catch his reference-heavy 80s video on YouTube here.      (DV)

Find him here:        Myspace

Hear him here:       DIAMOND RINGS – ALL YR SONGS ysi

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POMPLAMOOSE

If you like your pop to be clever, unpretentious, melodic and pretty, but also like it to be fresh, left-field and a shit-load of fun then welcome to the ridiculously named Pomplamoose (um, not quite French for Grapefruit!). We found them on the Totally Twitterpated blog and instantly fell for their charms. They have a series of Youtube ‘videosongs’, such as their jokey cover of the Beyonce tune, Single Ladies, (listed below). These covers have become a regular occurence, with others such as Simon & Garfunkel and Edith Piaf also being selected. Nataly Dawn utilises a voice that’s just as sweet and delicate as her baby face looks. So baby faced in fact that she makes Beck look positively past it. However, the Californian duo have created a selection of rather brilliant original tunes and it’s these that have earned them their listing on The Recommender. There’s plenty of melodic joy and lighthearted pop built into each of their perfectly designed creations. If your mood doesn’t lift, even a little bit, when you listen to them, then it’s perhaps time for that lobotomy. The sunshine radiating out of their box of tricks is totally blinding and worthy of your inspection, even if you have to peer through your trendy little hipster fingers. It’s not going to be a massive commercial success, but there’s always room for this kind of sunny disposition, right?       (MB)

Find them here:        Myspace

Hear them here:       POMPLAMOOSE – SINGLE LADIES ysi

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OK, so that’s another edition done. Hope your mood was ever so slightly lifted by that one. If not, you can always come back again soon, as we deal out our little mood lifting sessions roughly every four days…

http://www.youtube.com/watch?v=2TbUL6W3KL4
15
Oct
09

THE RECOMMENDER – NUMBER 56

BIRDS & BATTERIES

This West Coast five piece’s EP was lovingly posted through the letterbox at Recommender towers this week, or as it’s more commonly known, our email’s inbox. It’s a piece of work that follows not one but two debut albums by this band. Two debuts!? To explain, the first attempt, Nature Vs Nature, was the solo work of Michael Sempert, which got re-recorded once he relocated to San Francisco and recruited the rest of the band. The second attempt, I’ll Never Sleep Again, was the first release of work written and recorded in 2007 by the completed line up. So we now turn to a new EP, Up To No Good, which works as a fore runner to their expected new album, which is due out in Spring 2010. If this EP teaser is anything to go by then you can get ready for a new favourite band. There’s the mellow and totally brilliant basslines you used to locate on a Bowie album, mixed up with the kind of gorgeous vocal harmonies Super Furry Animals had at their most Beatles-esque peak. Throw in the dark funk and atmospheric song structures you link with TV On The Radio and you get the picture. They’ve done away with all the alt-country fluff you often found on their previous work and this new fuzzed up electricity moves them in a wonderful direction. So different is their new work that we list a couple of tracks for you to consider. The only drawback is that it’s the start of Autumn here, yet I’m already thinking of Spring next year!    (MB)

Find them here:        Myspace

Hear them here:       BIRDS & BATTERIES – LONELY GUNS ysi
Hear them here:       BIRDS & BATTERIES – THE VILLAIN ysi

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GRIZZLY BEAR

We have begun work on our blog’s Best Tracks Of 2009, an annual project that’s lovingly undertaken by most of the established blogs out there. So we’ve started to lovingly scan through all of this years posts to plunder the highlights. Amazingly we noticed that Grizzly Bear have somehow been a horribly glaring omission which we can’t quite believe has been missed! We fully intended to post about the Brooklyn four piece around the time of their third studio album, Veckatimest, released in May, but they managed to get left off. Rather than simply forget about them and move on, we feel it is our duty to finally and belatedly include them in our halls. So strong is their magical and beautiful album that they absolutely make The Recommender’s grade. It’s atmospheric indie that forms in the background of your mind as you listen. Fans of those bearded woodsman Fleet Foxes, or those other hirsuted Americans, Local Natives, will appreciate the similar, layered vocal harmonies and haunting, mulit-instrumental dreamscapes that are found here. Although it was launched at the end of May, their album is actually better suited to an Autumn backdrop, so there’s no better time of year to re-visit them than this. They are planning a tour around the UK around the start of November, so we suggest you take the chance to see them in the next few weeks.     (MB)

Find them here:        Myspace

Hear them here:       GRIZZLY BEAR – SLOW LIFE (ft. VICTORIA LEGRAND) ysi

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BOY CRISIS

Today’s final subjects are one of the latest acts to have been born out of the (in-) famous college fraternity, The Eclectic Society, which has previously spawned such acts as MGMT and Amazing Baby. Getting touted as “the next best new age electro funk band to come out of Brooklyn” is something worth taking note of, however, they’ve also been described as “the absolute worst band in the world right now”, so that came as a swift leveller as we stuck our noses in. It’s easy to see why there’s a certain amount of camp-splitting, as there’s rather a surreal foundation in the way they approach their music. As we dig further we uncover the cause of this, as the lead singer is found to be Victor Vazquez, one half of the stoner rap duo, Das Racist, whose biggest hit so far has been Combination Pizza Hut And Taco Bell! Hmm. Alongside a handful of sweet tracks, such as Dressed To Digress (listed below), it was actually their tune,  Fountain Of Youth, that finally convinced us of their quality, bringing to mind a familiar MGMT sound. As the track’s complexity unfolded it became clear, for all their absurdity this is a band that actually makes fantastic, instantly catchy pop songs. Who cares if they’re actually being serious or not?    (MH)

Find them here:        Myspace

Hear them here:       BOY CRISIS – DRESSED TO DIGRESS ysi

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We recently completed a few photos in a shoot with the band Yes Giantess, so look over to our Flickr page for the results of those real soon. We are currently chasing Ellie Goulding for the next shoot so with a little luck we can bag her up too.

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