BEHIND THE BLOG – RAWKBLOG

As regular readers will know, The Recommender isn’t just an mp3 blog, it’s always tried to be provide a little more commentary and opinion alongside the music. The blogosphere is a saturated marketplace and we find that those sites that we regularly return to tend to be those with a real voice. That voice is found in the editorial.

Today’s Q&A is with Dave Greenwald, the editor for the excellent Californian site, Rawkblog. He’s a perfect example of great editorial and takes as much pride in the words he writes as the music he selects for coverage.

It’s no wonder Dave gets asked to represent music bloggers at public talks, as well as finding his blog gaining column inches in the likes of Rolling Stone Magazine, LA Weekly and New York Magazine. As a professional writer he’s can also be found on the pages of Entertainment Weekly, LA Times and Billboard.

THE RECOMMENDER: When did you first become aware of the existence of music blogs?

RAWKBLOG: In early 2005, thanks to blogs such as Gorilla Vs. Bear and You Ain’t No Picasso that inspired me to join the club.

RCMMNDR: When did you start your own music blog?

RWKBLG: March 2005.

RCMMNDR: What were your initial aims as a music blogger? What do you think makes for an excellent music blog?

RWKBLG: As a college student at the time, I was looking for an unedited outlet for my music writing, but it transformed into a place to spotlight bands I felt deserved more recognition. My favorite blogs are the ones that really reveal the blogger’s taste and show support for specific artists, instead of just posting whatever comes into an inbox.

RCMMNDR: Describe your music blog in three words?

RWKBLG: Verse, chorus, bridge.

RCMMNDR: Geographically, where is your blog based?

RWKBLG: Los Angeles, California.

RCMMNDR: Which genre(s) does your music blog focus on?

RWKBLG: Modern indie rock, folk and twee, with the occasional look back at ’70s and ’80s classics. I’d write about bossa nova more if it were legal to post the MP3s.

RCMMNDR: Do you work alone on the blog, or do you have contributors – if so, who are they and how did you initially get them on board?

RWKBLG: It’s just me — I like having the site be a reflection of my personal tastes, so readers aren’t surprised from week to week.

RCMMNDR: Approximately, how many visitors does your blog get each month?

RWKBLG: Over 20,000 unique visitors per month. Tell your friends!

RCMMNDR: What perks have you experienced since becoming a music blogger?

RWKBLG: Press passes to concerts and downloads of new albums have been nice, but the best part has been meeting other people (both bloggers and artists) who are passionate about music.

RCMMNDR: Are you employed? (If so, is it inside or outside the music industry and what is your job title?)

RWKBLG: I’m currently a full-time freelance journalist writing for the Los Angeles Times and other publications. Previously, I was blog editor at the L.A. Times’ Brand X, the paper’s alternative weekly.

RCMMNDR: An important part of a music blog is the network it has at it’s disposal, so which other sites/forums do you network on mostly?

RWKBLG: Mostly Twitter, but Tumblr and Facebook as well. I’ve sworn off message boards — too much insecurity and bullying.

RCMMNDR: Who are your favourite three music blogs?

RWKBLG: TwentyFourBit, Eardrums and Pretty Goes with Pretty.

RCMMNDR: What is more important to you, quality or quantity?

RWKBLG: Quality. Life’s too short to waste time on anything that’s not amazing.

RCMMNDR: What was your most popular post in terms of visitors?

RWKBLG: A rant about the shutdown of the private BitTorrent site OiNK. It got a month’s traffic in a matter of hours.

RCMMNDR: What do you think is the most effective way to earn comments on your blog?

RWKBLG: Write something negative. People love taking your opinions personally as long as they don’t agree with their own.

RCMMNDR: How often do you read music blogs?

RWKBLG: Every day.

RCMMNDR: How do you think music blogs from the US differ from those in the UK?

RWKBLG: Sloppier grammar and more Pitchfork obsession.

RCMMNDR: Which aspect do you care for most in a music blog, a good design, or well-crafted content?

RWKBLG: I read everything through RSS, so I’m mainly concerned with the content.

RCMMNDR: Approximately, how many emails do you get in your inbox each day?

RWKBLG: Around a hundred. Probably more, but I’m too busy deleting them to count.

RCMMNDR: What advice can you give any aspiring bands, record labels, PR, agents, or managers, to help their emails get noticed?

RWKBLG: Keep it short and sweet. I like to have a download link for the album, a streaming link so I can hear it first and a “recommended if you like” pick or two so I can guess if I’ll be interested at all before I take the time to listen.

RCMMNDR: How do you prefer to listen to music online, (ie Soundcloud, Bandcamp, Myspace, iTunes, Spotify, Hype Machine, or any others)?

RWKBLG: I spend a lot of time using both Bandcamp and Soundcloud to find, hear and share new acts. They definitely make my job easier.

RCMMNDR: What is the most common way you discover new music (ie through your network, tips from the industry, tips from friends, gigs, other blogs, traditional media/journalism, emails etc)?

RWKBLG: The more you listen to, the more bands you have to keep track of – I’m just as excited to hear a band’s fourth album as to find a new act. But as far as discovery, I go by friends’ recommendations and find the occasional gem on blogs, via PR emails and by combing Bandcamp.

RCMMNDR: What does the future hold for music blogging? Do you see their importance growing or shrinking in years to come?

RWKBLG: Blogs felt more influential to me in 2005-2007 or so, when they were getting media attention and helping break bands before the mainstream or even Pitchfork. But I think the further democratization of the Internet music scene via Twitter, Spotify, etc., has made most of us less important – it’ll be interesting to see what happens next, but I don’t think blogs drive the conversation anymore.

RCMMNDR: Can you name an artist that you expect to break through in 2011?

RWKBLG: They’re not coming out until the fall, but the new albums by New York’s ARMS and Ravens & Chimes are going to blow minds.

RCMMNDR: Please let us know any useful links to find you elsewhere online (ie, Twitter, Hype Machine, Facebook etc)?

RWKBLG: Beyond Rawkblog.net, I’m also on Tumblr at Rawkblog.Tumblr.com, Twitter at twitter.com/daverawkblog and the Hype Machine at http://hypem.com/list/222.

LEISURE

Following the previous post about the Brooklyn band Friends, we’re following it up with a band that are just as ignorant of SEO, but equally as tidy when it comes to writing some very special pop music. So far they only seem to have been noticed by a handful of US bloggers, but now that they’re in the process of completing their début album, Plastic Soul, the first few UK blogs are now being introduced to them to begin an initial campaign for what looks to be a very exciting prospect for either side of the Atlantic.

Leisure are a trio from Boston who deliver the kind of confident, alluring lounge pop music that used to be crooned out by Pulp, or even Space. The stylish frontman, Jed Rouhana, is a particularly fascinating prospect, with some rare star qualities. He looks great, with striking features, perhaps from his Palestinian roots, and has a swaggering confidence beyond their short experience. We cannot wait to watch them live, as the clips floating around Youtube are all enjoyable. He also hosts a very smooth voice, a natural skill when carried with this level of confidence, which is all the more remarkable considering he only selected to sing quite late in their formation.

The lead single off the debut album will be Early Morning Skies. It starts with a kind of stabbed synth riff akin to the likes of Class Actress, but after 50 seconds the full band reveals itself as the sound is blown wide open. It’s as exciting as the cinema curtains broadening when the film arrives after a lengthy spell of adverts, injecting a little pace to your pulse. The voice gets a lift in pitch, as Rouhana sings “what you want to have, what you cannot have, is Me“. Once the song hits full flow it’s a beautiful plateau with a view that’s penetrated by Christopher Link’s icy guitar shards and Sam Hamad’s grooved beats and basslines. Every layer is so perfectly designed it’s difficult resisting an instant replay.

Outside These Walls sounds a little post-punk, in the same way U2 did when they started out, although it’s in need of just as much polish as those early U2 outings. It’s Alright (On The Suez Canal) introduces strings, which warms up their sound to a woolly Badly Drawn Boy level, as Rouhana becomes the storytelling crooner. It’s utterly irresistible. Follow Me continues the shimmering panache, beginning slower, but once again we find Rouhana leading you along as he speaks directly to us. It’s a very clean and tidy three and half minutes, like all good pop songs, and the anticipation builds up  - a trick they’ve really mastered – making you constantly feel like they’re about to deliver the song’s break. When it finally arrives we once again get the radiant groove that seems to be their signature move.

They’ve previously toured with San Francisco’s Girls back in April and the trio has two dates lined up in New York at the end of August, one at Littlefield and the other at Pianos. They’ve bottled the kind of romanticism of Wave Machines and the foppish charm of Jarvis Cocker at his comfortably lanky best and tipped it all into a timeless form of Tupperware pop. Just watch this performance of a live show from last September and – just like our beloved Jarvis – we find it impossible to take our eyes off the excellent, charismatic Rouhana. The UK will absolutely adore this band, and particularly him. This feels like the birth of a proper star. Their manager just informed us that the début album will be out this August, and so in due course we hope to find out if this nebulous becomes something truly stellar, but the fusion is spot on with this evidence. (MB)

LEISURE – EARLY MORNING SKIES

LEISURE – IT’S ALRIGHT (ON THE SUEZ CANAL)

LEISURE – FOLLOW ME