SLEIGH BELLS GIG NEWS

Our editor, Mike, is part of the management team for the promotions at Digital in Brighton, but this ‘gig list’ post isn’t some self-serving attempt to push ticket sales. No, no, no. For one thing it’s an external promoter running this show, Brighton’s Lout Promotions, who seem to be about as on the money with their bookings as you could be, managing to make credible selections, whilst still keeping one eye on their commercial business. The other reason is that this show is going to be so packed with energetic bands that there’s a risk the sea’s tide could well be forced back from our beach-fronted venue. They come to town on February 15th and you can purchase the last few tickets right here. Like. Now.

SLEIGH BELLS
We all know that this Brooklyn duo were one of the biggest features on 2010′s landscape, having released their debut album, Treats; a piece of outstanding work that topped The Recommender’s ‘Album Of The Year‘ chart. Alexis Krauss seems like an icon in the making, looking killer in photo shoots, whilst being full of energetic showmanship on stage. To think this shades-wearing, baseball-bat-swinging vixen used to be a school teacher. That’s one class you would never skive. Their music is often an immature crash at full volume, but with the latest single, ‘Rill Rill‘, we see them pushing to the front the nursery rhyme style that also flows through the album.  The accompanying video arrived this week and instantly swirled around the blogs. It shows the band are just as deadly alongside each other as they are with a crowd when playing live. This upcoming headline show, at the largest venue they’ve played in Brighton to date, is one where we hope they come armed with their full array of weapons.

SLEGH BELLS – A/B MACHINES

TEETH
If you can survive the earlier onslaught of You Love Her Coz She’s Dead, then prepare yourselves well for this London trio. Not only is their sound an avalanche of maxed-out synths and crashing cymbals, but nutty lead singer, Veronica, will be guaranteed to launch herself into the crowd at some point. Yes they’re very noisy, and yes they’re very hipsters-go-nuts, but amongst the left and right hooks there’s their signature set of laser-beam house chords that help their powerful live sets take the roof off. There’s been some decent remixes floating around of their ‘See Spaces‘ single too, particularly from producer de jour, Dreamtrak, and also from hot property, Visions Of Trees. Both are excellent and soften the harsher edges of the original.

TEETH – TIME CHANGES

YOU LOVE HER COZ SHE’S DEAD
You wonder if this British duo would exist were it not for Crystal Castles, so similar is both their aesthetic and their music. Admittedly there are far worse inspirations and where they lack originality, they more than make up ground with tight productions. Aggressive pogo beats, Gameboy samples and simple synth chords are interrupted with mantra-like burnt vocals that are always, always shouted. At worst it sounds like the noises made by tapes loading for the ZX Spectrum 48k, but at best they can go toe to toe with Hearts Revolution or the aforementioned Crystal Castles, although they’d probably end up headbutting Alice Glass in the face. Signed to Kitsune, you can hopefully expect the self-titled début album in August.

YOU LOVE HER COZ SHE’S DEAD – SUNDAY BEST

BLONDES IN TOKYO
This three piece group from Brighton are aiming to be a genuine crossover band between punk and electro, fusing metallic guitars, with machine-punched beats and samples. The singer can’t sing particularly well, but it doesn’t stop him trying, and it actually adds to their punk attitude; and let’s face it, Jonny Rotten was hardly operatic! There’s a snarled style woven into every track and with early examples, such as ‘Running Miles‘, you get a well-constructed tune that shows us they also have a more matured song-writing ability. They’re first on at this show, so expect them to get the crowd pumped from the outset. (MB)

BLONDES IN TOKYO – RUNNING MILES

THE RECOMMENDER 2010 REVIEW

We wish to bid farewell to 2010, which turned out to be a bumper year for this music blog, with many highlights, in a year in which our visitor numbers improved, our network grew like never before, we received more comments per post, our credibility as a music commentator grew, and our reach continued to stretch around the globe.

The single biggest thing that we experienced was the blog’s full redesign. A wonderful job was completed by Andy Nelson, a full-time web designer, who also happens to be the excellent lead guitarist from one of Brighton’s most joyful bands, :Kinema:. “Slick” was the word most commonly used by the many people that mentioned it on Twitter and in our comments section.

Our editor, Mike, was interviewed on radio stations both here in the UK and in the US, as well as getting decent mentions, such as ‘Website Of The Week‘, on major music websites around the world. Cloud Speakers.com and Musformation.com Q&A’d us and they have been known to quote our tweets to help inform professional musicians.

Our Twitter account has grown month by month and as we close the year we are about to hit 2000 followers. We put a lot of effort into throwing out our opinions on there, alongside some decent updates and genuinely useful links, to make sure it’s rewarding and providing additional information (that you won’t find on the main blog) to our followers. As a consequence, the large American website, Flavourwire, put us in their ‘top 10 music critics to follow on Twitter‘.

We were also made a proud ‘Charter Member’ of the all-too-brief global blog collective Strangers In Stereo, which launched in style at SXSW, before it’s untimely demise only a few months later, but the creator Will Hines informs us that he plans a return, so it’s not over, just due for a full re-launch in 2011. One of the best things to come out of it was being fully integrated with an expanded network of high quality music bloggers.

We covered this year’s SXSW Festival like never before, as we sent our contributor and Austin local, Olivia, around the town to hunt out the giant festival’s highlights. Meeting up with many fellow bloggers, chatting with Anthony the creator of the Hype Machine, and reviewing what seemed like a million bands. You can read that coverage here.

The music industry continued to interact with us on a greater scale in 2010, with A&R employees, record labels and booking agencies picking up on The Recommender’s popularity and ability to help discover new music. We were fortunate enough to be lavished with free drinks, dinners and a multitude of guestlist shows by a handful of these companies, allowing us to feel a sense of appreciation and respect.

PR companies were kind enough to hand our blog a selection of exclusives throughout the year, which is always appreciated. This was alongside being sent many new albums, EPs and single releases, both in the post and digitally, with 2010 being a year that physical promo copies were replaced more and more by digital ones.

In February we launched The Recommender’s parties, a monthly get-together, based at venues in central Brighton, showcasing some of the finest cutting edge talent from around the world. Every show seemed to produce exceptional performances, which we hope is partly due to the effort we put into making it feel like a proper party, rather than a standard gig. The Phenomenal Handclap Band, We Have Band, Velo, Young Empires, The Foreign Office and King Charles, all stated that they had experienced their best ever gig in the UK at the close of their amazing sets.

One major highlight from our promotions was the packed out after-party that we organised for The Great Escape Festival back in May, alongside the magazine that we continue to proudly write for, Brighton’s ‘going out bible‘, The Source Magazine. Five amazing bands were on show, with King Charles stepping in at the last minute, after Velo sadly had to pull out. The venue is probably still trying to repair the roof, which was duly removed by all five thunderous performances.

During November, we were once again asked to vote in the annual BBC ‘Sound Of 2011‘ poll, amongst just 165 of the UK’s nominated tastemakers, with two out of our three votes making the list. The final winners of this will be announced in the first week of January.

As the year closed we provided our large, annual posts, that always turn out to be among the most popular of each year, with Everything Everything scooping ‘Track Of The Year‘, with ‘Suffragette Suffragette‘, and Sleigh Bells’ ‘Treats‘ earning ‘Album Of The Year‘.

EVERYTHING EVERYTHING – SUFFRAGETTE SUFFRAGETTE

SLEIGH BELLS – A/B MACHINES

Since the blog’s re-design we’ve dipped into new areas with our editorial too, as we tried our first forays into reviewing, rather than our typical previewing. This allowed us to write the occasional negative piece – how else can you do it if you’re being honest – about some of the worst music on show this year, and more recently with the post titled, ‘The Most Disappointing Albums of 2010‘. Although we fully intend to remain a largely positive site, who’s intention is to make your lives better with amazing music, this other style of editorial always stirs up debate, which is also healthy.

One successful, new idea was to hold a peers-only vote for ‘The Best Music Blogs Of 2010‘, where we invited everyone on our network of music bloggers, from around the world, to nominate their three favourite music blogs. The response was enormous, with the post receiving more visitors than any other posts this year, as well as getting mentioned all over the web and the social networks. Votes arrived in their hundreds and the overall winner was announced as the very friendly Sunset In The Rearview.

Looking ahead to next year we will certainly do the vote again, alongside all of our other successful, annual posts. We plan to do a 2011 preview on our next piece, which seeks to point out and predict the year’s hotly anticipated releases, so make sure you head back here soon for that.

All that is left to say is a MASSIVE thank you to all of our contributors, all of the industry professionals who have interacted with us this year, all of the music bloggers in our network, all of the bands that have played absolute blinders each month, but most of all to our readers. Without you all we wouldn’t exist. Music is one of those things that serves to make life that little bit better, so we wish to raise a glass for all those people that enjoy searching it out.

See you in 2011…
Mike (editor)