CURXES

As we’ve recently mentioned on previous posts here on The Recommender, Brighton is definitely enjoying something of a buzz spotlight as a multitude of exceptional bands have appeared from this city throughout 2011. Today we bring you the next in line for our attention, a new duo called Curxes (pronounced Curses). The thing is, whilst we are more than happy to claim them as our own, it’s thrown up a debate about what constitutes the linking of a city with a band.

Is the issue of a band’s geography even relevant? Perhaps not in today’s online global community, with it’s shrinking boundaries and borders, however there’s no denying that Liverpool in the 60s, London in the late 70s, or Manchester in the late 80s, among others throughout the decades, has helped to inseparably tie artists to their homes over the years. The Recommender recently claimed Fear Of Men for Brighton, only to be informed that most of the band live in London, with only one member actually calling Brighton home. When we met up for lunch with Curxes delectable manager, Bee Adamic, last week, she introduced us to one half of the duo, Macaulay Hopwood. He let slip that he is currently the only one out of the pair to actually live in Brighton, with singer, Roberta Fidora, calling Portsmouth home.

We’ve selected to ignore that fact and still attribute them to Brighton, as we’re buggered if we’re letting this local claim for the duo also evaporate as, unlike Fear Of Men, at least 50% of the band reside in this city – that’s enough for us! Robin from Breaking More Waves, who was among the first to bring the band to the blogoshpere’s attention in May, as well as being the first to take them onto his BBC 6Music appearance, may object to our claim, seeing as he calls Portsmouth home, but let’s see what his response is in the comments – assuming he’ll speak up once he reads this.

The reason behind our drive to keep the pair so close to our hearts is due to their music, which is so utterly astonishing that we’re happy to throw as much blog weight behind them as we can possibly muster. The extraordinary vocals from Roberta and the punchy synth-driven productions from Macaulay knock you out with the first blow, which is best evidenced with their tune, Creatures, which got a release in June. It’s inventive kitchen-sink beat and 80s-drenched synthetics blend a cranking, machine-like pop tune behind Roberta’s styled, confident, smooth vocals. If you thought the likes of Alpines, Ms Mr, or Paper Crows were delivering strong contemporary female vocals, then prepare yourself for Roberta as she stands toe to toe with them all.

Their debut release, Jaws, which arrived in March hands out Roberta front and centre, bringing to mind the gothic drama of Siouxsie Sioux, but it’s noisy, racing construction eventually starts to grind, missing the obvious beauty they’ve clearly been able to show off since. This evolution is more in evidence in the beat-less Spires, which allows Roberta to star throughout. We consider the earlier track, The Construction, to also be one of their best cocktails available to date, mixing silk with spike in another exciting but deadly pop tune.

The Recommender has had the good fortune to be handed their latest recording as an exclusive. Once Upon A Time continues their work’s unfolding fairytale, with their signature foreboding menace that juxtaposes the industrial with the theatrical to brilliant effect. We can’t wait to hear it live, which we can when they visit the perfectly suited aesthetic of the Brighton venue, The Green Door Store, which is scheduled for October 26th. Whether that gig or their upcoming appearance at the Southsea Festival, in Portsmouth on September 17th, can be called a homecoming show is up for debate, but with music this strong we’re confident that a home in your heart is more assured.  (MB)

CURXES – ONCE UPON A TIME

CURXES - CREATURES

CURXES – THE CONSTUCTOR

MS MR

It was Thomas Edison that once proclaimed, “genius is measured as 1% inspiration and 99% perspiration“. Well, here’s a new band that have been working very hard since their birth, only six months ago, at nailing down their intellectual inspirations, so now we’re looking to see if they’ve got the graft. They feel hand-crafted for the UK market, although Ms Mr are actually a boy/girl duo who call New York home, but their initial music is so exceptionally good that we think it’s worth giving an extra effort behind them, as we enthusiastically punt them out to our network like a media pimp. It’s the least we can do as this act is special. Very special.

We’ve recently bounced a few emails back and forth with them to try and garner as much detail as we possibly can. Sadly they’re yet another band that are holding back their names and faces until they début the live show later this Autumn. It’s a trick that’s infuriating to anyone trying to write about them, but they won’t give a flying fuck about that, plus we’re not going to pass up on a band this good simply because of their anonymity.

Once our online chat got onto the subject of their history and influences we began to learn a lot more about them. They are currently unsigned, having only started writing together about six months ago in the deepest, darkest parts of Brooklyn. They’ve begun a DIY campaign using some very specific united imagery, which you can see on their Tumblr alongside a video that simply soundtracks a scene from Labyrinth. In order to allow the music to marinade, prior to their meticulously planned full-scale live attack, they’re delivering their debut EP, Ghost City, for free on their Bandcamp.

The opener, Bones, is an ideal introduction with a metronomic beat that locks your attention as the bold piano chords echo into the surrounding space. The vocals are stunning and without any face to put to the voice we had images of Elly Jackson and as we got to the chorus it shifted to the husky elegance of Sophie Ellis-Bextor. It’s dramatic pop at it’s best, with breaks that come after rumbled drum rolls and cultured, layered samples, reminding us of recent Recommender favourites, Alpines.

They spoke of their move from their country roots to the giant urban landscape that is New York and how that’s affected their music. They mentioned influences such as Eddie O’Keefe’s short film, The Ghosts, which tells the story of how a teenage girl gets seduced by a strange urban gang arriving in her village. This is a band young in age and showing a similar kind of romantic naivete with the world around them, like a butterfly emerging from it’s humble chrysalis. Theirs is a Greystoke of an EP as they stare out with wonder at the world which is about to begin staring back at them.

The second track is a particularly outstanding cover of Patrick Wolf’s Time Of My Life, which once again shows off their youthful bravery as they take on one of the UK’s best multi-instrumentalists. We think they’ve done Patrick proud, as they take it to a chest-full of rousing theatre that should get the Florence & The Machine fans ears pricked.

The third tune, Strings, sounds like a soundtrack to an emotional scene from Six Feet Under, were it sung by Adele. The vocals are more front and centre than anywhere else on the EP and she deserves the showcase, as she not only handles it perfectly, but the tone strikes your heart strings like a harp. However, it’s with the closer, Ash Tree Lane, that we realised that there was no turning back. This EP had us at hello, but with this last tune they had us sycophantically hanging onto their ankles as the EP completed. They claim that it’s directly inspired by Mark Z. Danielewski’s novel, House of Leaves, as they look for an unconventional structure, making a piece of music that feels as equally expansive as it does up in your face. It’s an epic curtain.

It’s not often that an artist lists 46 different bands when asked about their influences, as well as some ergodic literature, but although that initially seems over-enthusiastic there’s actually a significance. Look closer at their inspirations, see the lines that relate them all and you get the themes that this band are based upon. This is a duo who are tackling pop intellectually. There’s real thought and design going into this before hand. They want a masterpiece and that’s going to need some studious effort, however, if – just like us – everyone else is equally as rocked by their brilliance, then it’s the music industry that may end up doing the required perspiration on their behalf. (MB)

MS MR – TIME OF MY LIFE (cover)

MS MR – BONES

MS MR – ASH TREE LANE