ALPINE

Right at the close of the year we come across one of the tidiest finds of 2011. We have fallen completely head over heels in love with this new band and predict that once you too have hit play on the below buttons, you will also be devoting a little piece of your hearts to them. It’s been another good year for discovering new music, with a multitude of interesting finds, so topping it off with this new group seems like the perfect way to draw down the curtain on these last twelve months. Our Best Tracks Of 2011 post will be up on the blog over the holiday period so you can clearly see all it’s highlights. Right at the last minute this new band will easily rush straight into that post too.

If there’s been one theme running through this year’s discoveries it’s the appalling choice of band names. It’s not necessarily the actual titles that are the issue, more the massive lack of understanding search engine optimization. We guess music is what their best at, which is fair enough, but surely the A&R’s and labels should advise them better? We’ve had bands such as Friends, who arrived in an SEO-abandoned WTF moment. Citizens! foolishly thought some punctuation might help matters. Typing Escort into Google is highly unlikely to uncover the excellent New York disco band. Although a little fun can be found with Leisure, Theme Park and Amusement, who all might prove a little safer on search engines, but no more helpful when it comes to locating their music. More recently we had Neon Gold’s Foxes arrive, having adopted a moniker that clearly ignores not one but two UK bands of the same name, (albeit one had added a not-very-different-at-all exclamation mark to their title in a hopeless attempt to be distinguished). Even the Slough shit-piece Brother had to shift their title to Viva Brother following a legal challenge from an Australian band of the same name this summer, when perhaps a change of musical direction would have been preferable.

And so we come to today’s recommendation, Alpine. Not only will their SEO take you to numerous businesses offering anything to do with European mountain ranges, but there’s also the Arizona rock band of precisely the same name. That doesn’t even give mention to the UK duo that are high on hype, Alpines, although the addition of an ‘s’ at the end might just stave off the major label who they signed to earlier this year. Names aside though, this new band’s tunes are perhaps the best of the bunch, which goes to prove that it’s the output that ultimately matters most. Here is a six-piece from Melbourne making the kind of extra-special music that will have people stretching that bit further to reach them. They’re gearing up for their début album, which is to be released early in 2012, and considering their releases to date it’s already looking like one of the most exciting releases of the year.

Absolutely everything we’ve heard to date from the Melbourne-based band has been of an exceptional standard. Having formed in 2009 they quickly gained some useful early coverage on Australia’s Triple J radio station, which ultimately led to them signing with Sydney’s Ivy League Records by the summer of 2010. Their debut single, Heartlove, came out late last year introducing us to their female-fronted indie pop, with an emphasis on the drafty, left-field end of that genre’s spectrum, perhaps best associated with Scandinavian bands. Consider Le Corps Mince De Francoise covering Lykke Li songs and you get a sense of the excellent pop that they’re trying to design here. That single was found at the centre of their debut, five-track EP, Zurich, which arrived in November of 2010 and which proved to be one of the most consistent EPs we’ve heard in recent times. The highlight amongst the five highlights is their second single, Villages, which combines their signature moves of layered vocals and sweeping guitars in a knock-out potion.

Their tunes cause an instant lift for the listener, but nothing prepared us for the rise delivered by the first single to officially arrive from the expected debut album. Hands arrived in the second half of 2011 in preparation for next year’s hype and it’s an absolute winner. It initially creeps in the room without fuss, but quickly turns on the style, especially with the peaked vocals and waves of riffs that wash up and down in volume. It’s as deadly as a classically beautiful woman chewing bubblegum, delivered in distinctly classy sections, yet all of it coated in an instant pop appeal. If you thought their video for the Villages single was worthy of your attention then you should check the new one for Hands. It’s yet another stylish and beautifully created short film, directed by Luci Schroder and involving more seductive women in their underwear than any others this year. Or perhaps any year? All this sets everything up fantastically leaving us in a tantalisingly poised position for the full debut album next year. Beyond any names or titles, both the videos, and more importantly the music, is well worth clicking to page six of Google’s search results for. (MB)

ALPINE – VILLAGES

ALPINE – HEARTLOVE

 

MAFIA LIGHTS

It’s quite hard for us to get our heads around the fact that there are still people out there that don’t quite ‘get’ online social networks. We pour scorn upon these poor people. Well, OK, we’re not that snobbish and wicked, but online social media is something we are very proud to endorse. We can hold up lesson after lesson and example after example of how social networks can make your life better. Don’t believe us? We’d suggest that you’re not doing it right. Whether it’s Gchats, or G+ Hang Outs, or Facebook, and particularly on Twitter, we directly engage with our audience on a daily basis and it produces a multitude of satisfying results. Recently we found ourselves online having a good example of such an encounter.

There we were minding our own little social world, when a chat box popped up on Facebook. “great great great great great website, x“, it said. “Moi?“, we replied, and a conversation with Joel Amey, the singer in Mafia Lights, duly followed. It turns out we’ve covered a few artists on this blog that they also like. He explained that Mafia Lights are a part of a small collection of bands that are emerging from Guildford in Surrey, including Amusement and Disclosure, the latter of which helped them record by getting them into their home studio. Joel passed us some links to his music and we immediately liked what we heard. With all the PR email campaigns, the constant stream of links and a variety of bulging inboxes, it seems that in reality it really is good to talk, or at the very least, chat.

Mafia Lights are a trio, with Joel the singer, and James Balmont on bass, guitars and keys, with Cameron Knight on lead guitars and beats. The band have received some coverage on blogs and Joel briefly mentioned that they’d received a “tiny mention” on NME. Turns out they were listed by NME as one of their best new bands of 2011. Understatements like that go a long way to helping us like them. It’s still early days, but they’ve already got Teeth Records on board, after Max from the label watched them play a showcase gig at Manchester’s In The City festival.

Hampton was a track that began a turning point for the band. Previous incarnations found them working a different sound, with a more traditional rock edge, but upon return from a Los Angeles trip Joel started writing the week he got home and the results have driven them in the direction in which we now find them. The new songs reveal a more experimental approach, working with atmospherics and unusual sounds that riff around the tunes like a helter skelter. It’s a trick that’s repeated on Spiriting, which is more immediate, but once again finds echoing vocal refrains that mimic the voices in your head. Each tune is an example of how to start light, but add more and more weight as the song grows.

The evolution is continued with their latest work, which brings us to perhaps the finest song to date. West starts out as something ethereal, more akin to a Grimes tune, that doesn’t seem that accessible at first, but as the bulk of the tune emerges you realise it’s arms are wide open and as it reaches the resulting vocal refrain it feels like a warm embrace. It’s utterly arresting. What we have here is a brutally honest tale, as he Joel sings “I smoke more than I eat, I dance more than I sleep, I collide with everyone“. It seems like a man spiralling, but who’s redemption can be found in his honesty. Each instrument arrives in waves with some guitars hovering above the tune as if they’d been sprayed into the air like a mist.

Those readers from our home city of Brighton can see them playing a show at The Green Door Store on October 29th, in support of Amusement and Regal Safari. Elsewhere, you can catch them in Manchester, supporting Fixers on November 24th as part of the 20th birthday celebrations for the Night And Day Cafe. Should you not be fortunate enough to live in either of these cities, do not worry, as with all new bands there’s one place you can always catch them – online. Today’s recommendation is a lesson in taking part in online social networks and all the genuine connections and bright discoveries that it can reveal. Ultimately it serves a deep-rooted need in all human beings, to feel part of something bigger than their immediate environment. Mafia Lights got onto these blog pages simply by striking up a conversation. It was as real and as human as if they were stood next to us. Perhaps that’s the way forward for other bands? To paraphrase The Four Tops, just reach out, we’ll be there. (MB)

MAFIA LIGHTS – WEST

MAFIA LIGHTS – SPIRITING