BEHIND THE BLOG – GOD IS IN THE TV

Today’s edition of our ongoing weekly series looks at a biggie from the UK’s music blog scene. We went back stage with the editor, Bill Cummings, from the one of the largest and most established music sites we know, God Is In The TV. They’ve been going online for so long that they pretty much pre-dated the word blog, calling themselves an online ‘zine’, or ‘web zine’, but the word blog that’s become common parlance is now firmly attached to them. One thing is certain, they share all the right genetics – to serve up an independent, critical voice in the world of music.

Just like others from the larger end of the blog scale, such as The 405, or Drowned In Sound, or The Line Of Best Fit, among others, they blur the lines between being a website, an online magazine, a blog and a fanzine, but there’s no denying that they’re a useful and respected resource. There’s not many other music sites out there that have their own Wikipedia listing! However, just like all the sites that have appeared on this series, God Is In The TV, had humble beginnings, as Bill took steps to share his passion online.

A team of deputy and sub-editors now contribute to the site’s broad coverage. Some of it’s writers have even gone on to write for the likes of NME, The Guardian and Clash Magazines. Their words can actually affect the careers of those lucky enough to gain coverage, marking this citizen journalism out as a true tastemaker. That’s why they’ve appeared on the BBC 6Music and been join judging panels at award shows. It’s for it’s impact, it’s passion and it’s quality that we’re pleased and proud to welcome this site onto our series. We’ll hand the rest of their story over to Bill…

THE RECOMMENDER: When did you first become aware of the existence of music blogs?

GOD IS IN THE TV: 2001. Maybe before?

TR: When did you start your own music blog?

GIITTV: I started way back in 2003, as a primitive Yahoo site. It’s been through various evolutions and re-designs but one thing has remained constant, our commitment to writing and music. We actually came more from the tradition of music webzines initially: I was attracted to the idea of the collective opinion rather than it just being about my own work. I didn’t want it to become a vanity project for one thing my ego isn’t big enough! I guess that idea came from my love of the traditional fanzine, and blogs only seemed to rise in prominence later on. Using WordPress as our current home though we can’t really complain at the ‘music blog’ tag though, indeed we probably embrace it now!

TR: What were your initial aims as a music blogger? What do you think makes a music blog stand out from the crowd?

GIITTV: To represent and vocalise different strands of music away from just the mainstream of the charts or better known media. To allow an independent platform for writers and artists, (from unsigned and small label to the majors).

TR: Describe your music blog in three words?

GIITTV: Independent. Platform. Collective.

TR: Geographically, where is your blog based?

GIITTV: I am based in Cardiff, but we have writers right across the UK. From Edinburgh to Bristol, Brighton and London.

TR: Which genre(s) does your music blog focus on?

GIITTV: We will cover any kind of genre. The only criteria are whether it pricks up our ears or not, sometimes not! Obviously we have a strong tradition of supporting ‘guitar’ outfits, but we cover an eclectic range from electronica, dance and hip hop, to indie, anti folk, and post rock!

TR: Do you work alone on the blog, or do you have contributors – if so, who are they and how did you initially get them on board?

GIITTV: I don’t work alone,  we have a strong team of very committed sub-editors now. Back in the early years GIITTV was just myself and a talented writer called Alex Worsnip. Now I’m joined by a gathering of brilliant writers and sub-editors: such as Tiffany Daniels who valiantly runs our new music section. There’s also Rhian Daly, our albums sub, who has her finger on the pulse of new long players. Plus Luke Langlands who runs the single reviews and our weekly round up of releases. Finally Owain Paciuszko who diligently delivers his constructive critiques to unsigned artists and their demos. We are in the fortunate position to attract most of our writers by word of mouth or friendships. We do however make exceptions and ask those we admire to contribute too!

TR: Approximately, how many visitors does your blog get each month?

GIITTV: I don’t have the exact figures to hand but we run into the 100,000s of views, in terms of uniques I think we’re at around 40,000 a week at the last count. But again our stats aren’t a full indication. I prefer to look at things like user’s sign ups, facebook ‘Likes’ and re-tweets etc these days. Yeah, how hipsterish huh?!

TR: What perks have you experienced since becoming a music blogger?

GIITTV: Well apart from being in the privileged position of receiving some of the best music around today into my letterbox and inbox every week. I have also been fortunate enough to be asked to judge a few music competitions. Recently, for instance, I was involved in the Big Gig judging panel in Cardiff’s The Globe. The aim of the ‘battle of the bands’ was to pick an artist to open the free festival this summer, joining the likes of Funeral for a friend, Friends Electric and erm Dodgy. The site has allowed me the honour of getting involved in some great music events.

TR: Are you employed? (If so, is it inside or outside the music industry and what is your job title?)

GIITTV: I have been building up my own independent online music promotions company for the last three years. So I guess you could say that ultimately GIITTV has given me the contacts and experience to be able to broach such a venture. I keep the two separate though, it’s important GIITTV has it’s own independent voice.

TR: An important part of a music blog is the network it has at it’s disposal, so which other sites/forums do you network on mostly?

GIITTV: I think twitter and facebook have taken over for better or worse in this respect. However, I still read quite a few forums apart from our own, including the one on Anorak, (which is more of a indie pop one), and occasionally dip into the melee on Drowned In Sound.

TR: Who are your favourite three music blogs?

GIITTV: It’s hard because it’s like choosing between your favourite types of food, they’re all different but on a similar level in terms of taste! Obviously I read The Quietus and The Line of Best Fit (a site I probably most associate GIITTV in terms of it’s current set up). But personally I am a big fan of The Devil Has The Best Tuna, as a blog he uncovers some real musical gems and goes beyond in terms of giving you a personal journey through his discoveries. Andy Von Pip from The Von Pip Express, based in Liverpool, claims he sounds like Ringo Starr in a beehive but for me he’s a writer, (and now broadcaster), who deserves a lot of credit: his blog is witty, irreverent and opinionated, all three things I admire. Plus his music taste is pretty darn impeccable too! Lastly I’d pick out Kowalskiy‘s Scottish music blog. He may not be familiar to English readers as he’s based in Edinburgh but he’s constantly showcasing the fabulous music (Frightened Rabbit, Admiral Fallow, Withered Hand, Letters) that has emerged blinking into the spotlight from Scotland in recent years. His singles feature is a highlight for me where he gets bands to describe their release like they are pitching themselves on a dating site is particularly amusing!

TR: What is more important to you, quality or quantity?

GIITTV: In terms of articles it’s quality. However, the frequency of news pieces is sometimes high to keep the site current.

TR: What was your most popular post in terms of visitors?

GIITTV: We’ve had a few recently, Tiffany’s women in 2010 was a very popular feature on our old site early last year – she wrote about the rise of female artists that feel a little contrived in the mainstream. Highlighted artists like Laura Hocking, Caitlin Rose and others who deserved more…

TR: What do you think is the most effective way to earn comments on your blog?

GIITTV: Create debate. Offer original personal opinions. Write passionately about music you are passionate about!

TR: How often do you read music blogs?

GIITTV: Every day of my darn life!

TR: How do you think music blogs from the US differ from those in the UK?

GIITTV: There are some great US blogs, but I think they can often focus on the bigger picture. Some of them are much more professional which is fine, but they may lose out a little on the British quirks such as our certain regional blogs, alongside the irony and irreverence with which many British bloggers approach a record or an artist. Oh and Pitchfork takes itself way too seriously and I think that may filter through to some of those below!

TR: Which aspect do you care for most in a music blog, a good design,
or well-crafted content?

GIITTV: Well-crafted content

TR: Approximately, how many emails do you get in your inbox each day?

GIITTV: It must be in the thousands actually. My inbox gets so full sometimes I have to clear it to be able to send out again! Maybe I shouldn’t be transferring my love of hording records to emails too!

TR: What advice can you give any aspiring bands, record labels, PR, agents, or managers, to help their emails get noticed?

GIITTV: Approach us in a personal manner. I find the emails that stand out to me are the ones that have actually read the site, looked at our writer’s tastes and sent us a kind email telling us about their new records, with our names on. Rather than some bulk email about the latest greatest new band since the last latest greatest new band. Who often turn out to be rather dreary anyway! Like I don’t know, say, The Vaccines.

TR: How do you prefer to listen to music online, (ie Soundcloud, Bandcamp, Myspace, iTunes, Spotify, Hype Machine, or any others)?

GIITTV: Soundcloud and bandcamp have taken over for me. It’s a great way to find new artists and search out new tracks. I love the accessibility and the way artists can share music with you instantly, plus it’s got that human touch. Unlike Myspace where you’d get added by multiple fake profiles, and hundreds of garish cover bands!

TR: What is the most common way you discover new music (ie through your network, tips from the industry, tips from friends, gigs, other blogs, traditional media/journalism, emails etc)?

GIITTV: All of the above I guess. But since I spend alot of my day trawling through my inbox so it’s more often than not from the personal emails I get from artists and small labels, or tip offs from other friends. Two recent great discoveries include Manchester’s Ramshackle, or ch-pop act Heart Ships and the fearsome noise of The Men’s new album!

TR: What does the future hold for music blogging? Do you see their importance growing or shrinking in years to come?

GIITTV: I think it will only grow as older music media falls away (for better or worse) in fact I can see blogging and podcasting slowly but surely fully taking up that role of music criticism, appreciation and discovery. Plus the Internet is now becoming part of our lives to the extent that you can carry it around on your iPad and phone, and these kinds of distinctions between the online world and the offline will blur.

TR: Can you name an artist that you expect to break through in 2012?

GIITTV: Expecting and hoping are two different things! It also depends what you mean by ‘breaking through’? However I think The Good Natured‘s gloomy electronic pop is sure to gain wider acclaim because she has such personality. I hope Edinburgh’s Withered Hand will get more attention. His album of almost two years ago now, but released in the states this year, is really starting to prick up ears of bigger media, (Rolling Stone even wrote about him recently!), to his conflicted bittersweet sound that marries religious guilt with heartbroken song writing. It’s a must hear! Closer to home I’ve witnessed a Cardiff collective grow of late; The Evening Chorus offer a heart-warmingly tender take on the post-Mumford & Sons/Fleet Foxes sound, with lashings of the old style hoe-downs that probably date back much further in terms of their origins.

TR: Please let us know any useful links to find you elsewhere online (ie, Twitter, Hype Machine, Facebook etc)?

http://www.facebook.com/#!/pages/God-Is-In-The-TV-Zine/6499156545?sk=info
http://soundcloud.com/godisinthetvzine
http://www.mixcloud.com/godisinthepod/
http://twitter.com/godisinthetv

 

BEHIND THE BLOG – THE 405

When people start music blogs they do so with humility and usually have absolutely no idea where it can lead. If they do a good job, soon enough the readership expands beyond expectations, a few guest list offerings arrive and the odd free promo album turns up in the post. The 405 is a site that began one month after The Recommender, and since that launch it’s mushroomed beyond most others in the UK. As a leading voice in the online music community we’re more than happy to get them onto this regular series.

We’re sure that some of you will ask, is The 405 a music blog or is it a music website? Indeed putting them on this series allows us to ask an interesting question about what the difference’s are. The same point was made to us when The Line Of Best Fit answered our questions, and it will no doubt repeat should we get Drowned In Sound involved. The title of ‘blog’ should not be sacrosanct and it the title of ‘website’ doesn’t somehow entirely corrupt them, so we’re not particularly sensitive about the differences. But what are the differences? We’re not going to be having NME.com or Rolling Stone.com on here any time soon, so where do you draw the line?

We think The 405 is an example of a music discovery service that successfully straddles that line between blog and website. It’s origins are very blog-like however. Started by one person, who’s humble intention was to deliver new music to anyone that cared to listen, it simply began as an outpouring of passion for music. That’s the sure fire sign of any music blog. Of course it’s success has meant a growth into one of the UK’s most influential music sites, but it feels like a voice, is still laid out like a blog, is part of our online community, it has genuine impact with it’s coverage and most importantly it delivers lots of awesome music each day. We’ll let the founder, Oliver Primus, continue their story…

THE RECOMMENDER: When did you first become aware of the existence of music blogs?

THE 405: I guess I’ve been using music blogs for a while now, maybe since I was 18, so a good 8 or 9 years. Originally it was blogs that posted illegal downloads that got me interested in music blogs. Not that I illegally downloaded a lot of music, but we’ve all been there, right?

TR: When did you start your own music blog?

405: The 405 was started back in April of 2008

TR: What were your initial aims as a music blogger? What do you think makes for an excellent music blog?

405: I had no initial long terms plans really. I wanted to put together something small that looked at music/art/films in equal measures, but it soon turned into a full grown music site. Saying that, our film content is getting much bigger now, and the arrival of games features has put us more in line with my initial ideas. I think passionate writing and interesting content is key. Also frequency. I like the thought of going to a site and knowing that new content will be available.

TR: Describe your music blog in three words?

405: Hardworking, fun, open-minded

TR: Geographically, where is your blog based?

405: London, UK

TR: Which genre(s) does your music blog focus on?

405: Pretty much everything and anything. In 2008 when it was mostly me writing the music content it would have been all Bright Eyes and music along those lines, now with a massive writing team on board, it’s much more diverse. From hip-hop to pop and everything in between.

TR: Do you work alone on the blog, or do you have contributors – if so, who are they and how did you initially get them on board?

405: Yeah we have a LOT of writers working at The 405. Every so often we’ll put a mention out on Twitter or Facebook mentioning that we’re looking for new writers and then we sift though the millions of emails that come flooding in! We also get a lot of people that apply separate from those shout-outs. It just sort of evolved over time really.

TR: Approximately, how many visitors does your blog get each month?

405: 150’000-180’000

TR: What perks have you experienced since becoming a music blogger?

405: I guess having access to people that I respect is a pretty cool perk. I’m a music fan and I get excited waking up each day so that I can to listen to new music, read new things etc so being able to chat (or in most cases read interview transcripts from the writing team) to people I respect is a big thing for me. There’s a big myth out there that people that run music sites/blogs are just in it for the free CD’s and gig tickets, but since I started the site I’ve spent more money on music than I ever did before, despite getting hundreds and hundreds of CD’s each month for free.

TR: Are you employed? (If so, is it inside or outside the music industry and what is your job title?)

405: I work two days a week as a barman (best around yo!) but other than that I work on the site. In fact, I work every day of the week. That’s dedication for you.

TR: An important part of a music blog is the network it has at it’s disposal, so which other sites/forums do you network on mostly?

405: Social networks? Twitter and Facebook and that’s about it really. Twitter is the best thing to happen to the Internet in a very long time. It breaks down boundaries unlike any other social networking tool out there, and I don’t think we could live without it in all honesty.

TR: Who are your favourite three music blogs?

405: Pitchfork (best around – I don’t care what anyone else says), The Quietus (insanely good site) and This Is Fake DIY (those guys are constantly trying out new things, and the site is a joy to look at and use). Honourable mention to One Thirty BPM too as they started around the same time as we did (I think) and they have a pretty similar work ethic to us I believe.

TR: What is more important to you, quality or quantity?

405: Quality. Always quality.

TR: What was your most popular post in terms of visitors?

405: Our end of year content is always pretty popular (albums of the year etc)

TR: What do you think is the most effective way to earn comments on your blog?

405: Ask a question, or write something passionate. People will ether agree with you (and will want to let you know) or they’ll massively disagree (and will also want to let you know). Failing that, write about Justin Bieber, that will most likely get you a birch of spam comments haha

TR: How often do you read music blogs?

405: Every day

TR: How do you think music blogs from the US differ from those in the UK?

405: I don’t think there is a massive difference in all honesty. I think that’s the great thing about the Internet. Most people think we’re based in the US, though that’s probably down to the name.

TR: Which aspect do you care for most in a music blog, a good design, or well-crafted content?

405: ‘Content is King’ as they say, but I do like a good design. We spent a lot of time on our design as we wanted to give our readers something different. Content will always top everything else though.

TR: Approximately, how many emails do you get in your inbox each day?

405: Anything from 200-300 emails generally

TR: What advice can you give any aspiring bands, record labels, PR, agents, or managers, to help their emails get noticed?

405: Make sure your email doesn’t look like a copy and paste job. Everybody knows the deal when it comes to this business. I don’t expect a PR/band/label to tailor each email they send (I’m not a monster) but when it’s one of those faux personal emails, It’ very easy to hit the delete button. Make it simple ad get to the point. Definitely don’t get the person’s name wrong, and don’t attach an mp3!

TR: How do you prefer to listen to music online, (ie Soundcloud, Bandcamp, Myspace, iTunes, Spotify, Hype Machine, or any others)?

405: I use iTunes for my own library, Spotify for putting playlists together (and filling in the gaps) and soundcloud for everything site related. Soundcloud is amazing.

TR: What is the most common way you discover new music (ie through your network, tips from the industry, tips from friends, gigs, other blogs, traditional media/journalism, emails etc)?

405: Probably the writing team If I’m being honest. They’re always sending me tips!

TR: What does the future hold for music blogging? Do you see their importance growing or shrinking in years to come?

405: I hope to see it grow! I’m confident it will. I do like print mags but I’ve also seen some amazing magazines pop up on the ipad, and that excites me!

TR: Can you name an artist that you expect to break through in 2011?

405: I’d like to see Clams Casino do well in the remaining months of 2011. He’s already had a pretty strong year though.

TR: Please let us know any useful links to find you elsewhere online (ie, Twitter, Hype Machine, Facebook etc)?

facebook.com/the405, twitter.com/the405 and obviously www.thefourohfive.com