GUNG HO

We love it when a band arrives and in some intangible manner seems to sum up our detached, sweeping generalisations of the place from which they came. The Beach Boys sounded very Californian, right? The Smiths sounded very Manchester, didn’t they? The Strokes couldn’t appear from anywhere other than New York could they? Well, if you imagine the Eastern Gold Coast of Australia to be all slacker surfers, with a relaxed, sunny disposition, where partying and enjoying life is the common path of choice, then you’re on your way to finding Gung Ho as perfectly suited to their geography as we do.

This new trio call Brisbane home and they’ve just released their debut single, Twin Rays. It will be the initial tune from their planned EP, which we’ve been informed is due out in early 2012. From the three tracks that we’ve heard to date, it’s for before and after the beach-bound parties. Their initial single is as bleached and pretty as Best Coast or Tennis, although not quite as twee. It feels like a surf pop song written by actual surfers, so there’s stacks of relaxed enjoyment, as Michael McAlary sings “Oh you know we ain’t rather be anywhere else“. We assume they’re talking about the beach. This is a surf pop song with the perfect attitude. We also noticed that the echo throughout the tune blurs what is actually an intricate set of guitar plucks.

On the next tune, Weekend Mothers, has the guitars take centre stage, as they turn the style on. If Twin Rays is the stoned morning-after-the-night-before, then this tune is the night before. It’s all spikey flicks of guitar and hand clapped beats. It’s rhythm is that of a party at it’s peak, as the song is delivered over a collapsing drum roll. Gone is the 60s surf imagery and in it’s place are some punked vocal yelps and a raised aggression, as Oliver Dincan takes over the vocals and sings “I can’t stand myself“. Its wound up so tight it can’t sit still, but it brings us an entirely different side to the band that you didn’t see coming having heard the first single.

The other available demo, Vacation, is just as pumped up, in the same hyper way Spain’s Mendetz, or Sweden’s The Hives used to come out of the blocks. More styled vocals appear with Duncan throwing out a sweaty performance with every word that he spits out, as the backing vocals call in response. Once again the guitars dance behind it all and this time the bass enters the room like the big fat bloke taking over the dancefloor without a care in the world.

The band have had useful support slots with the like of The Holidays, Papa vs Pretty, Bleeding Knees Club, Comic Sans and Kids of 88, among others. They’re planning to take the EP’s songs out around the East Coast for a few dates in September, in venues across Brisbane and Sydney (see below). You can definitely expect a party. Only time will tell how the shows will translate when performed on a rainy day in Manchester, but we strongly suggest that anywhere in the world would thoroughly enjoy having a little piece of sunny Brisbane delivered to their doorsteps, right? Right. (MB)

31st Aug – Twin Rays’ Single Launch /w Morning Harvey @ Alhambra Lounge, Brisbane
3rd Sept – Dune Rats /w Gung Ho, Pirates Alive, Country Junk @ Billy’s Beach House, Gold Coast
16th Sept – Dune Rats /w Gung Ho, Ginger Witches @ Spotted Cow, Toowoomba
17th Sept – Dune Rats /w Gung Ho, Millions DJs @ Woodland, Brisbane
24th Sept – Velociraptor /w Gung Ho, Gooch Palms @ Oxford Arts Factory Gallery Bar, Sydney

GUNG HO – TWIN RAYS

GUNG HO – WEEKEND MOTHERS

FRIENDS

We’re never going to get through this critique without discussing their band name, so we may as well address it straight from the outset. Friends is pretty rubbish isn’t it. Apart from the piss-poor Chandler, Phoebe, Joey et al connotations, it’s like the opposite of Search Engine Optimization. Search Engine Pessimization is perhaps more appropriate. Thankfully the music has enough gravitational pull to ensure people find them eventually. In fact, that’s exactly what ‘buzz’ is isn’t it? Anyway, lead protagonist and vocalist, Samantha Urbani, flips the issue on it’s head, stating “I am hoping we will dominate the search engine”. Well, we think they’ll start by dominating your iPods.

Friends are a quintet from Brooklyn that Samantha has forged together from those people around her. They seem a refreshingly natural collective, getting together in the way indie-kid hipsters look like they should do – dressing the part, having the attitude, acting like an impenetrable clique, hanging out at all the counter-culture places – except hipsters never make it out, instead selecting to stand around judging each other. Friends on the other hand seem to be an unorthodox community with genuine intentions and real abilities, perhaps born from Samantha’s free-spirited family upbringing. She ticks all the ALT boxes, even spending time studying in Berlin and working in the East Village’s vegan kitchens, yet what she’s created is a group that’s warm and welcoming.

They were first found on the scene at New York’s CMJ last year, where they played one of their first ever shows – not including their launch gig at Samantha’s birthday party some weeks earlier. This was quickly followed by a tour supporting Darwin Deez, with whom they now share the Lucky Number Music label. It’s being whispered that their first UK shows will be due this Autumn, as they arrive to support another pack of NYC label mates, Caged Animals. This will hopefully follow the release of their single, I’m His Girl, in September, although we may have to wait until 2012 before the full album is finally out.

The first track that had a handful of bloggers flirting outrageously with them was the single, Friend Crush, which came out on March 21st this year. It’s a wonderful introduction to their mixture of sounds. Dreamy 60s pop beats begin a tune that quickly merges into a blend of Best Coast and Santigold. Samantha’s vocals lead the melody as Lesley Hann’s bass throbs behind. The B-side, Feeling Dank, is just as low-fi and equally as mesmeric, as we find them pushing the Best Coast comparisons further, but it’s all backed by an enjoyable jangle of instruments and beats that sound like more of a jam on kitchen paraphernalia. It’s like they’ve decided to simply hit what’s next to them to see what works. And it works!

Ultimately this is music that has plenty of the addictive factor, pushing all the right buttons between simple pop and leftfield experimentalism. Their look, their sound and their history give the scenesters a well-needed facelift in a world where the word is hipster is now derogatory. Whether it will make you reconsider your disapproving looks at the usual bunch of unemployed wasters in your local alt-cafe is yet to be proven, but there’s clearly some hope here. The issues with the SEO may prove harder to overcome, but something tells us that these guys weren’t designed with the Internet in mind, more for the counter culture. It’s this story of an alternative kinship that gives them the kind of authenticity that other bands will never attain. If you have to try hard, then you’re just a ‘try hard’. With Friends the task of gathering together a band and making some excellent music was in fact the most natural thing in the world.  (MB)

FRIENDS – FRIEND CRUSH

FRIENDS – FEELIN DARK