THE NAKED & FAMOUS GIG NEWS

The annual BBC Sound Of 2011 poll is known for being a little self-serving, giving a helpful boost to the profiles of the artists being covered, but it also gives them an almost guaranteed UK tour, as promoters clamber for bookings to ride the wave of attention.

It feels like Brighton has seen most of the list by now, following recent appearances by James Blake, Clare Maguire, Jessie J, among most of the others. However, there’s one group that have been omitted from the listings so far, The Naked & Famous, but thankfully that’s about to be rectified as they arrive here on March 9th.

THE NAKED & FAMOUS
This five piece have become the biggest export from New Zealand in years, having become chart-topping sensations over that side of the world, with their singles and debut album. They arrive in the UK in support of their LP, Passive Me, Aggressive You, which is due for a UK release on March 14th. Their giant hit-single-in-waiting, Young Blood, will be out slightly earlier, reaching the shelves on March 7th. Soon after they plan a tour around Canada and the US through April and May. When MGMT dropped the indie pop baton with the exceptionally bad album, Congratulations, these antipodeans grabbed it and are running into the distance with it firmly in hand. It’s a perfect booking for Brighton’s beach front club, Digital, which we expect to see absolutely heaving, so grab any remaining tickets here and we will see you there.

THE NAKED & FAMOUS – YOUNGBLOOD (DAVE SITEK REMIX)

THE NAKED & FAMOUS – YOUNGBLOOD (CHIDDY BANG REMIX)

YAAKS
Although we’re positive you don’t require a second reason to go to this show, this support band are well worth getting there early for. So loud is the buzz surrounding the South Coast six piece you could probably hear it in New Zealand, hence them earning a few support shows on this tour. Fans of this new wave of exciting, post-foals, intelligent indie bands, which also include the likes of Cymbals and Trophy Wife, among others, will find a lot to love in this band, as they’re perhaps the brightest of the bunch. Their deadly concoction means it’s not just Foals’ throne that’s under threat, as they could take Friendly Fires too, if their ballooning promise is fulfilled. We wouldn’t be surprised if this band were headlining Digital in months to come.   (MB)

YAAKS – HRHRHYTHM

YAAKS – CAVALCADE

MITTEN

We want you to please consider for a moment just how long it takes you to decide on whether you like a band or not? Do you only need one song? Perhaps you only take a few bars of a song? Perhaps it’s just their look, with the way they dress or their overall aesthetic? Perhaps you go the opposite way and have to hear a whole album before concluding? Maybe you need to hear a song over and over repeatedly prior to making a final judgement?

It’s a tough thing to know what the right thing to do is, as it’s so subjective and down to the individual. Is there anything wrong with making your mind up rapidly? Perhaps you’re very knowledgeable about music and consider a million aspects of what you are hearing in a second, before deciding you love it a moment later? On the flip side, is there anything wrong with taking your time, choosing to properly take in a whole piece of work before you conclude?

Our guess is that people are quite instinctive about it and don’t take that long to decide. You don’t wait to digest your entire dinner before deciding if it tastes nice do you – staring down at the pan and finally announcing to yourself that it was in fact a particularly enjoyable meal. You make lots of decisions about the new people you meet pretty rapidly, don’t you? We’re not suggesting you’re some cruel, judgemental nutter or anything, but you can’t help but have first, second or even lasting impressions from spending a few minutes in the company of a stranger.

We all have subconscious tick lists that fire off at speed upon the first experience – it’s what makes us human. Admittedly those initial reactions can soften or harden, as you learn more, but on the whole you know whether you will like something from the outset. Anyone that says otherwise is perhaps fighting their natural inclination, which is also fair enough, but there’s no denying you had an initial reaction.

The reason we bring up this talking point is that you might make your mind up about Mitten quite quickly, but because their music has a variety of shades, we think you opinion will shift, depending on which track you hear first. We’re not suggesting that Maia Macdonald and Joanna Katcher’s creations wave from thrash metal to sugary pop, but they definitely produce songs with varying pace and punch. Even when you look at each song individually the start often doesn’t match the finish. However, we’re pleased to conclude – after we’d had time to digest the whole of their available catalogue – that we enjoyed almost every element of their music.

On the one hand the female duo from Brooklyn produce energetic, upbeat pop, that smoothly races along like water on marble. Take the tune Similar Senses, the fourth song on the six-track EP that arrived a couple of weeks ago, and you experience a song that starts with a skipping pace that holds throughout, only breaking on occasion and certainly not for long enough for you to get your breath back. It drives along, meeting up briefly for a kissed chorus, feeling like a peck on the cheek, rather than any lingering moment. It reminds us of A-Ha’s Take On Me – although fronted by Ladyhawke – but lacks those same killer pop riffs.

Your initial conclusions will be arrested when you get to the track Cavalcade or 742, which are far slower, aiming at your emotional buttons, rather than your feet, but it’s just as endearing. The pop is still there with their enjoyable vocals, but it’s more patient and intelligent, building in layers and diving into deeper ends of their musical pool. Solitary Moves also begins with the same pretty harmonics, showing them at their most sedimentary, but it eventually steps up, creeping into your head like a dream about Underworld’s Juanita.

The feet are undoubtedly in focus with the EP’s opener, All That I’ve Got, as it meets you with a slapping, electronic, crunch of a riff, that would have you thinking this is going to be a heavy piece of work, but it quickly opens up to a more ambrosial pop tune. It’s them at their best, marrying their ability to get you dancing, whilst still finding depths and beauty in the edges of the pop spectrum. It’s satisfyingly full and rounded, and whether you like to take your time before deciding on a band or not, this tune and it’s ability to have you humming it long after it’s finished will surely find you making a positive conclusion.  (MB)

MITTEN – ALL THAT I’VE GOT

MITTEN – SIMILAR SENSES

MITTEN – CAVALCADE