ELLIPHANT

Last month, the BBC 6 Music radio station had their inaugural Blog Awards, in which they asked a selection of UK blogs and music sites to select the award’s categories. The Recommender was one of the nine sites asked to contribute. They requested we choose an alternative category to all the other ‘normal’ awards, so we selected ‘Best Tease Of The Last 12 Months‘ and put up a range of music videos for the public to vote on. And vote they did, in their hundreds. It was a massive success, leading to the eventual winners, IAmAmIWhoAmI, taking the award for their stupendously lengthy viral video campaign, which is now into it’s second year! One of the other nominated videos on offer was the most recent tease of them all, from an artist who had designed a teaser video so totally awesome it simply had to be included. Whisper it, but it was secretly The Recommender’s favourite from all of the nominations.

These days, with a plethora of online chatter constantly buzzing around the globe, it’s absolutely essential for new artists to excite people with your initial launch campaign. Not only do you have to write great music and be fantastic live in this extremely competitive environment, but you also need to have impact and traction from the outset, commonly caused by the online chatter hyping you up. How do you do that? Well, one excellent way is to create a viral video, offering up a taster of what the public is about to receive. The video that arrived from Elliphant a few weeks ago dished up an excellent example of this, with their two minute clip playing their track, In The Jungle, which was blasted out over a rather random, but punchy video of a young boy being wheeled along by policemen in a shopping trolley(!), like a protected king, (see that video below). As odd as that sounds – and oddness also gets people chatting, as you can’t help but exclaim “what the FUCK was that!” at your screen – it had the desired effect as the blogs and Twitter went into a frenzied overdrive. In this instance, awesome music + awesome video = viral success.

NME hit on them, lots of the key online music commentators reacted and the ball was rolling. The question is, who are they, where are they from and how dare they be this awesome!? Unfortunately those questions remain, as very little additional information is at hand as we ‘go to press’, but snippets and rumoured gossip has been passed around. This cock-tease of an artist is apparently one solo female, name unknown – although if that’s her in the photos then, yeah, she’s hot – comes from Sweden and is apparently under the charge of Company Ten, the management team who delivered us Icona Pop and Niki & the Dove – both are Swedish artists due a very busy year as their own debut’s arrive. That might help explain the clever campaign. Aside from all the viral obsession and marketing there’s substance with the tunes though, as In The Jungle delivers an electric shock over the kind of tribal drumming not heard since Crystal Fighters‘ arrived with their song, Xtatic Truth. Elliphant deliver the kinds of thumps perhaps most associated with their namesakes’ footsteps, but they also add a multitude of warped layers that harness rave chords as vocal mantras build up to fantastic crescendos throughout. It even breaks after a couple of minutes to wind in the light guitar riffs from Eye Of The Tiger. It’s at this point you give up any resistance.

The new tune arrived today to continue the campaign. The track is called TeKKno Scene, featuring Adam Kanyama (who is apparently an exciting prospect within the Swedish hip hop scene), and it continues the madness. More off-beat tribal drumming skips you up to the kind of song that Big Freedia would be happy to bounce to. This has roots in all sorts of music, although it shares ideals with the Bounce genre and all it’s unashamed insanity, repeated vocal sampling, and crash-and-bang impact. Elliphant stir in plenty of other elements though, reminding us of the kind of Afro soup that either Santigold or MIA served up in the past, with all it’s multi-layered web of roots. It’s another spaghetti junction of sounds and messes so much with the common pop blueprint that it feels impossible to untangle at first, but their best trick seems to be the ability to excite and inject an addictive rush directly into your brain. It’s music that is impossible to ignore, demanding attention like a loud Caribbean parade passing through your ears. Although it reflects the aforementioned artists, this can still be held up as the kind of original music that’s full of sparks, igniting fresh ideas with every new release. It’s this kind of bravery that pushes things forwards and so we applaud Elliphant for fearlessly ripping open the envelope. What it didn’t win in blog awards it will gain in continued online coverage with a campaign that’s just as exciting in it’s delivery as it is it’s music. (MB)

ELLIPHANT – IN THE JUNGLE

ELLIPHANT – TEKKNO SCENE (feat. ADAM KANYAMA)

WU LYF – GIG NEWS

Theses days, taking a punt on the well-worn marketing move, where you take a less-is-more attitude to what you allow the public to know and see of your new band, is nothing short of fucking boring. It’s more reactionary, rather than revolutionary, seeming as it does to kick against the over-saturation of any subject the Internet chews up and spits out. Blame the bloggers and their insatiable appetite, blame the social networks and their tiny attention spans. Blame what you like, it’s very over-cooked and if you are going to try and drip feed us with miniature snippets of confusing information then you better be fucking awesome when you get around to the big reveal.

Just look at the recent (and bloody lengthy) IAmAmIWhoAmI viral video campaign, where obscure clips of David Lynch-like weirdness gave us short peeks at a new artist by the dozen over a whole year. Amazing intrigue was soon followed by frustrating guessing games by those with zero patience, eventually outing the artist to everyone well before the campaign was completed. Here we are over a year later and they’ve still not released anything. OK, so we will still take a look once it comes out, but it won’t be accompanied by the shortened breath and dribbling excitement that they wanted.

That’s the trouble with these image campaigns, they’re fighting an increasingly vapid and insatiable beast called Generation Y, who simply cannot survive on controlled portions. They get bored and move on, muttering “whateva” under their breath as they turn their attention elsewhere. You can’t really blame them, it’s what commercial capitalism always wanted – buy something – get bored with it quickly – buy the next model please. The Internet simply taught them to digest more, faster, so the whole attention thing has sped up to light speed – or should that be cyber speed?

Anyway, those with said attention spans probably haven’t even read down this far into the article to notice that Wu Lyf, a band that have done their best to hop away from the lime lights over the last couple of years, are arriving in Brighton to play a show at The Green Door Store tonight. One thing that’s kept our attention stems from the fact that they are the bastard children of Foals and Health, making extraordinary sounds from behind their masked obscurity. For this reason alone, they are worthy of your investigation. You might even get to see their faces and everything.

The band name stands for World Unite / Lucifer Youth Foundation and they hail from Manchester – an area that’s been particularly saturated in very good, very original bands over the last two or three years, which might go some way to explain why Wu Lyf are taking their time. The news of their debut album, Go Tell Fire To The Mountain, breached yesterday as they gave us the due date of June 13th, via, wait-for-it, a mysterious video. See that below, alongside the video for their track, ‘Spitting It Concrete Like The Golden Sun God‘, which even had Michel Gondry chasing them up.

Like any cult, they’re only interested in control. They’re mythical revolutionaries that shunned the queue of major labels to release music on their own. However, like all of these contrived projects, it’s what is discovered inside the resulting music and clever designs once the smoke and mirrors are removed, that will have us concluding whether we actually want to follow or not. If more is found once the less has left, then our patience and their project will have been worthwhile. Tonight (22nd March) we have this live performance as a first proper sample, at the perfectly-suited Green Door Store in Brighton (last few tickets here) and we can all begin to decide for ourselves. The real test is whether we are all still as interested the day afterwards, once we’ve experienced the substance beyond the contrived style. (MB)

WU LYF – HEAVY POP

WU LYF – CONCRETE GOLD