THE RECOMMENDER – YADI

Far away from the X-Factor, Simon Cowell-induced coma that he calls music, it’s well worth noting that in recent years, in the UK, we’ve had a perfectly efficient factory line producing female pop stars of the future.  Bright, shiny new ones throughout each year.

Just take a look back at the BBC Sound Of 2010 Poll from January, in which this supposed barometer tipped it’s hat to the stars of the year ahead.  They predicted in first and second place two female solo pop artists in Marina & The Diamonds and Ellie Goulding, both of whom have gone on to further successes.  Look back yet another year and you will see Little Boots and La Roux, or back further for Adele and Duffy , all of which adorned their respective year’s lists of fancy soothsaying.

So year on year there is a hotbed of female talent in this country, but how does Hannah Yadi compare, for comparing is something any exciting new female talent will unfortunately get quite a lot of, especially if they’re actually any good.

Yadi is certainly a box of tricks and a delightfully talented one at that, having previously heard her in other capacities, with Will Betts in the band Hella Cholla, as well as her guest vocals with the dance duo Eskimo Twins.  Upon turning our ears to her solo work we first noticed that the standards were also reaching high with this project too.  There was an array of feathers on show, with her sound very much slotting into the pop cap, with piano-led tunes, twinkling synthetic beats and the vocals pushed front and centre.  Choruses are stomped through, whilst the verses show off her range of singing abilities, where comparisons to the likes of Alison Goldfrapp, Tahita Bulmer, or upon reflection a bit of Eddie Reader, will no doubt come to mind.

Utilising pop traditions is admirable, but is there anything that makes her stand out?  Her dark good looks steal your attention through the lens and clearly come from her Algerian heritage, but her love of warping out North African instruments and utilising a more percussive beat will be what gives her the required edge.

Sadly, this tribal tinkering she talks of still needs to find the foreground, but her blend of common pop and all it’s structural strengths, with this authentic, atypical ingredient certainly has potential. With each new demo that appears she seems to ride along more confidently and subsequently creates more intricate and attractive performances.  Like all of the truly special female pop artists, past or present, the comparisons with others off the lengthy production line is actually irrelevant, for we know they always break the mould when it comes to genuine talent.    (MB)

Find her here:         Myspace

Hear her here:         YADI – RUSSIAN LOVE

Hear her here:         YADI – GUILLOTINE

HOW GOOD IS THIS!!!??? – NUMBER 33

Photo by Kid Paparazi

THE TWELVES – THE REMIXES – PART 5

It’s been a little while since we did a ‘Remix Special’ here on The Recommender. Previous editions, including the likes of Soulwax, DiscoTech, Bloc Party and The Golden Filter, proved to be amongst some of the most popular posts we’ve ever had on this blog. This only goes to prove the popularity and power of a good remix.

These days, checking the Hype Machine backs this up, as it’s famous ‘Top 100′ blogged tracks usually has tons of them. It’s something that we think is a little over-cooked here on The Recommender, so we make sure we reserve our ‘remix posts’ for only the finest, most outstanding efforts. This is a category that THE TWELVES slot into very neatly.

A very busy duo from the Brazillian shores of Rio De Janeiro, they bring an excellent sunny side to everything they remix. Often adding more Pop to an already Popped tune, their blends are undoubtedly still for the club floor. They have a positive bassline to all their selections, whilst allowing the magic of the original track to still remain, (often keeping most of the vocals), whilst they stir in some Funked tweaks for good measure.

Selected highlights are attached below for you to judge for yourselves. They regularly tour the world’s club scenes so you will undoubtedly be able to catch them live soon. The question is, are they true pretenders to Soulwax and DiscoTech‘s mighty remix authority?

LA ROUXIN FOR THE KILL (The Twelves Remix)        (ysi)
NOAH AND THE WHALEBLUE SKIES (The Twelves Remix)       (ysi)
ASOBI SEKSUTHURSDAY (The Twelves Remix)        (ysi)
A-HATAKE ON ME (The Twelves Remix)        (ysi)
THE FLAMING LIPSTHE YEAH YEAH YEAH SONG (The Twelves Remix)       (ysi)
FLEET FOXESWHITE WINTER HYMNAL (The Twelves Remix)        (ysi)
THE VIRGINSRICH GIRLS (The Twelves Remix)      (ysi)
RADIOHEADTHERE THERE (The Twelves Remix)       (ysi)
ZEIGEISTHUMANITARIANISM (The Twelves Remix)       (ysi)
DATABASE vs FRENCH HORN REBELLIONBEACHES & FRIENDS (The Twelves Remix) (ysi)

Please take a second to leave a comment, either letting us know which track is your favourite, or if you know of any other decent Twelves remixes that we’ve perhaps missed, as this sort of information lets us know what people are enjoying currently. Thanks, as always…