IS BRIGHTON NEXT?

We’re not entirely sure if a bonafide music scene can actually exist in a city anymore. Since that damn Internet thingy got invented it seems that everyone’s “into a bit of everything“, so tribes don’t properly exist in large numbers like they used to in decades gone by, and scenes -where lots of bands share a sound, a fashion or a culture – don’t generally gather much momentum in the modern era. These days, what we seem to have in their place is simply a bunch of bands, from all ends of the spectrum and a multitude of genres, that appear from the same geographical location, but that’s all that seems to link them.

A few years ago you had Manchester, with the likes of Everything Everything, Egyptian Hip Hop, Hurts, Delphic and Wu Lyf all appearing over a short period of time, sending A&R men up north into a clamouring frenzy. Soon after you had Oxford, with the bands that revolved around a kind of creative scene called Blessing Force, but that was more of a scene mainly because the protagonists were mates, some living together and lets face it Oxford’s so small that it would be easy to unify. Still, it brought us the likes of Trophy Wife, Fixers, Jonquil, Pet Moon and our favourites, Chad Valley.

Not to be outdone, that scene’s subsequently been followed up by Newcastle, no doubt earning a moan by those poor A&R men, who must have felt like travelling salesman in recent years. Out of the North East came Polarsets, Lanterns On The Lake, Let’s Buy Happiness and Mammal Club, among others. All of these are blindingly good, but like all of the other cities scenes these bands share virtually nothing in common in their music or choice of genre. If everyone is into “a bit of everything” these days it’s perhaps no surprise that so many disparate artists can co-exist.

And so to Brighton. Are we next? For such a small city there’s a surprisingly large number of new bands existing at any one time. Perhaps it’s the city’s famous youth culture, or the popular Brighton Music College, or the plethora of small and mid-sized venues, or perhaps it’s the proximity to London? Numbers vary depending on who you speak with but we’ve heard there’s a approximately 300-400 bands floating around at any one time. So why would we consider 2011 any different from any other year? Well, it seems that this year there’s been a sharp rise in quality. Coverage of Brighton artists on the likes of NME and the tastemaker blogs has been widespread as well as radio plays and industry excitement.

Once again they share zero in common other than the place they call home, and many of them weren’t actually born here, but Brighton can claim them as their own. The genres are spread so wide that even if you are into “a bit of everything” it would still be hard to like them all equally. However, the quality is outstanding and the buzz from the underground impossible to ignore. We list below a small selection of tracks from the shortlist, and although it’s not definitive, as there’s plenty of other bands that are arriving all the time, it should give you a decent idea of why we think Brighton is ripe for a new scene. Let us know your thoughts in our comments and we’d love to know if you believe we’ve missed any obvious bands? (MB)

CURXES

REGAL SAFARI

BLANC

LITTLE LOUD

GROSS MAGIC

PHORIA

RIZZLE KICKS

CAVE PAINTING

FEAR OF MEN

LITTLE LOUD – REMIX SPECIAL – PART 9


LITTLE LOUD – THE REMIXES – PART 9

We run an ongoing series here on The Recommender called ‘Remix Specials‘, where we select those artists, producers and DJs who have built up a significantly impressive collection of remixes. Previous editions involved The TwelvesSoulwax, The Knocks, The Shoes, Bloc Party, Starsmith, The Golden Filter and DiscoTech.

We’ve had one eye secured on today’s DJ, Little Loud, ever since we first heard his remix of Yeasayer‘s Madder Red. His remixes have a certain signature to them, like all the best re-edits, giving them a new twist and injecting a fresh energy to them. With him this recognizable gene is found in the long, slow build ups which end with a triumphant four beat.

There’s flavours of chillwave and bottled sunshine inside his creations, turning them into what are essentially slow electronic pop tracks. He also leaves the bones of each track secured in place, which is a good sign, for if you butcher a track when remixing you have to ask yourself why you selected it in the first place.

Little Loud, aka Will Phillips, is in his early 20′s and comes from our home city of Brighton, so we hope to meet up with him soon. We’ve heard that he’s currently working on a batch of new, original works in the studio, which are set to see daylight some time in 2011. We will of course let you know the second that they break.

His collection of commissioned edits are not only extremely good, but we also consider the artists that he works with to be perfectly on message with The Recommender. He is one of the hottest studio stars to watch for next year, but in the mean time we are more than happy to welcome him onto our hallowed Remix Specials. Enjoy.  (MB)

GOLDFRAPPBELIEVER (LITTLE LOUD REMIX)

YEASAYERMADDER RED (LITTLE LOUD REMIX)

MEMORY TAPESBICYCLE (LITTLE LOUD REMIX)

HEALTHNICE GIRLS (LITTLE LOUD REMIX)

AU REVOIR SIMONETELL ME (LITTLE LOUDS DREAMWAVE REMIX)

ARIEL PINK’S HAUNTED GRAFFITIROUND AND ROUND (LITTLE LOUD REMIX)

CLOCK OPERAONCE AND FOR ALL (LITTLE LOUD REMIX)

BRUCE SPRINGSTEEN - DANCING IN THE DARK (LITTLE LOUD REMIX)