IS BRIGHTON NEXT?

We’re not entirely sure if a bonafide music scene can actually exist in a city anymore. Since that damn Internet thingy got invented it seems that everyone’s “into a bit of everything“, so tribes don’t properly exist in large numbers like they used to in decades gone by, and scenes -where lots of bands share a sound, a fashion or a culture – don’t generally gather much momentum in the modern era. These days, what we seem to have in their place is simply a bunch of bands, from all ends of the spectrum and a multitude of genres, that appear from the same geographical location, but that’s all that seems to link them.

A few years ago you had Manchester, with the likes of Everything Everything, Egyptian Hip Hop, Hurts, Delphic and Wu Lyf all appearing over a short period of time, sending A&R men up north into a clamouring frenzy. Soon after you had Oxford, with the bands that revolved around a kind of creative scene called Blessing Force, but that was more of a scene mainly because the protagonists were mates, some living together and lets face it Oxford’s so small that it would be easy to unify. Still, it brought us the likes of Trophy Wife, Fixers, Jonquil, Pet Moon and our favourites, Chad Valley.

Not to be outdone, that scene’s subsequently been followed up by Newcastle, no doubt earning a moan by those poor A&R men, who must have felt like travelling salesman in recent years. Out of the North East came Polarsets, Lanterns On The Lake, Let’s Buy Happiness and Mammal Club, among others. All of these are blindingly good, but like all of the other cities scenes these bands share virtually nothing in common in their music or choice of genre. If everyone is into “a bit of everything” these days it’s perhaps no surprise that so many disparate artists can co-exist.

And so to Brighton. Are we next? For such a small city there’s a surprisingly large number of new bands existing at any one time. Perhaps it’s the city’s famous youth culture, or the popular Brighton Music College, or the plethora of small and mid-sized venues, or perhaps it’s the proximity to London? Numbers vary depending on who you speak with but we’ve heard there’s a approximately 300-400 bands floating around at any one time. So why would we consider 2011 any different from any other year? Well, it seems that this year there’s been a sharp rise in quality. Coverage of Brighton artists on the likes of NME and the tastemaker blogs has been widespread as well as radio plays and industry excitement.

Once again they share zero in common other than the place they call home, and many of them weren’t actually born here, but Brighton can claim them as their own. The genres are spread so wide that even if you are into “a bit of everything” it would still be hard to like them all equally. However, the quality is outstanding and the buzz from the underground impossible to ignore. We list below a small selection of tracks from the shortlist, and although it’s not definitive, as there’s plenty of other bands that are arriving all the time, it should give you a decent idea of why we think Brighton is ripe for a new scene. Let us know your thoughts in our comments and we’d love to know if you believe we’ve missed any obvious bands? (MB)

CURXES

REGAL SAFARI

BLANC

LITTLE LOUD

GROSS MAGIC

PHORIA

RIZZLE KICKS

CAVE PAINTING

FEAR OF MEN

MAMMAL CLUB

Everything Everything are a band that’s known to be something of an acquired taste, but our palate devoured them as if they’d been prepared by a Michelin-starred chef. Some dismissed their sound as over-complicated or too random, but we bloody loved it, finding them incredibly inventive and original, whilst still providing hooks and singles in abundance. Well, Mammal Club are being touted as a more palatable Everything Everything, so we’re poised and salivating all over our keyboard.

We’d heard Mammal Club’s debut EP, AU, upon it’s release on the Everybodys Stalking label on May 2nd, but like a well-behaved child we were waiting to see what they were like live at the upcoming Great Escape Festival later that month. What we failed to compute at that time was the fact that the Brighton festival is by far the busiest weekend of the year for us, with around 300 bands playing in our city, so it’s simply impossible to catch everyone. As amazing as the weekend always is, the list of bands you miss is almost as long as the list of bands you catch. Unfortunately Mammal Club proved to be perhaps the biggest miss of all, as it also meant we subsequently forgot to blog them. At least today we’re finally able to rectify this, as a set of Recommender pages without Mammal Club is like a cup of tea without sugar – warm and refreshing, but it could be so much sweeter.

Their EP proved to be yet another enjoyable example of the quality wave of artists currently bursting out of Newcastle and the North East, alongside the likes of Polarsets, Holy Mammoth, Let’s Buy Happiness and Grandfather Birds among many others. In fact the factory line has been pretty non-stop since Two Door Cinema Club started filling venues up and down the UK. It’s not just the rate at which bands are appearing, but the extraordinary talent that’s on show that’s so special. Mammal Club could prove to be the peak in the excitement due to their exceptionally great collection of songs.

The four lads combine in a racing storm of intelligent indie. Wilson Astley’s vocals are particularly enjoyable, often following the darting guitars and diced drums. This is non more evidenced than in the utterly remarkable track, Hang, which manages to feel as fried as it does luscious, standing the song on it’s brilliant lead refrain “Will you ever solve any of this?“. It’s direct and challenging, like all the best music. Lead track Otter is also a stunning piece of work. If you listened to the individual instruments on their own you’d never recognise the song, but once collected together they find form.

Away from the EP you still find lots of magic, particularly with the track Put Your Fears In Order, which pops like raindrops on a window, before it creeps into a vocal calling reminiscent of fellow Tynesider’s The Futureheads. It’s jagged indie pop with the edges smoothed down so the fit in your ears with ease. Music like this is perhaps a little reminiscent of Foals, but this band try to play their instruments in such an off-beat way that it’s almost as if they’re trying to put each other off. They take math rock to an orchestral level, where each of the instruments get utilised with such an astonishing level of skill, yet retain their own identity within something much larger than the individual parts, and that includes the voice.

We’ve been reliably informed that the next single, Painting, is due out in the Autumn once it’s ready. We very much look forward to that new release, as this is music that keeps you guessing at every turn, although it never loses you on it’s maze-like journey, eventually freeing you up for air upon each song’s close. It’s so inventive and without constraint that you have no idea where it’s going to go, nor can you imagine how the hell they concoct such well-crafted ideas. If this is music to be labelled for an ‘acquired taste’, then we are more than happy to prepare the table and invite you all over for a taster.  (MB)

MAMMAL CLUB – OTTER

MAMMAL CLUB – HANG

MAMMAL CLUB – PUT YOUR FEARS IN ORDER