BEHIND THE BLOG – RAWKBLOG

As regular readers will know, The Recommender isn’t just an mp3 blog, it’s always tried to be provide a little more commentary and opinion alongside the music. The blogosphere is a saturated marketplace and we find that those sites that we regularly return to tend to be those with a real voice. That voice is found in the editorial.

Today’s Q&A is with Dave Greenwald, the editor for the excellent Californian site, Rawkblog. He’s a perfect example of great editorial and takes as much pride in the words he writes as the music he selects for coverage.

It’s no wonder Dave gets asked to represent music bloggers at public talks, as well as finding his blog gaining column inches in the likes of Rolling Stone Magazine, LA Weekly and New York Magazine. As a professional writer he’s can also be found on the pages of Entertainment Weekly, LA Times and Billboard.

THE RECOMMENDER: When did you first become aware of the existence of music blogs?

RAWKBLOG: In early 2005, thanks to blogs such as Gorilla Vs. Bear and You Ain’t No Picasso that inspired me to join the club.

RCMMNDR: When did you start your own music blog?

RWKBLG: March 2005.

RCMMNDR: What were your initial aims as a music blogger? What do you think makes for an excellent music blog?

RWKBLG: As a college student at the time, I was looking for an unedited outlet for my music writing, but it transformed into a place to spotlight bands I felt deserved more recognition. My favorite blogs are the ones that really reveal the blogger’s taste and show support for specific artists, instead of just posting whatever comes into an inbox.

RCMMNDR: Describe your music blog in three words?

RWKBLG: Verse, chorus, bridge.

RCMMNDR: Geographically, where is your blog based?

RWKBLG: Los Angeles, California.

RCMMNDR: Which genre(s) does your music blog focus on?

RWKBLG: Modern indie rock, folk and twee, with the occasional look back at ’70s and ’80s classics. I’d write about bossa nova more if it were legal to post the MP3s.

RCMMNDR: Do you work alone on the blog, or do you have contributors – if so, who are they and how did you initially get them on board?

RWKBLG: It’s just me — I like having the site be a reflection of my personal tastes, so readers aren’t surprised from week to week.

RCMMNDR: Approximately, how many visitors does your blog get each month?

RWKBLG: Over 20,000 unique visitors per month. Tell your friends!

RCMMNDR: What perks have you experienced since becoming a music blogger?

RWKBLG: Press passes to concerts and downloads of new albums have been nice, but the best part has been meeting other people (both bloggers and artists) who are passionate about music.

RCMMNDR: Are you employed? (If so, is it inside or outside the music industry and what is your job title?)

RWKBLG: I’m currently a full-time freelance journalist writing for the Los Angeles Times and other publications. Previously, I was blog editor at the L.A. Times’ Brand X, the paper’s alternative weekly.

RCMMNDR: An important part of a music blog is the network it has at it’s disposal, so which other sites/forums do you network on mostly?

RWKBLG: Mostly Twitter, but Tumblr and Facebook as well. I’ve sworn off message boards — too much insecurity and bullying.

RCMMNDR: Who are your favourite three music blogs?

RWKBLG: TwentyFourBit, Eardrums and Pretty Goes with Pretty.

RCMMNDR: What is more important to you, quality or quantity?

RWKBLG: Quality. Life’s too short to waste time on anything that’s not amazing.

RCMMNDR: What was your most popular post in terms of visitors?

RWKBLG: A rant about the shutdown of the private BitTorrent site OiNK. It got a month’s traffic in a matter of hours.

RCMMNDR: What do you think is the most effective way to earn comments on your blog?

RWKBLG: Write something negative. People love taking your opinions personally as long as they don’t agree with their own.

RCMMNDR: How often do you read music blogs?

RWKBLG: Every day.

RCMMNDR: How do you think music blogs from the US differ from those in the UK?

RWKBLG: Sloppier grammar and more Pitchfork obsession.

RCMMNDR: Which aspect do you care for most in a music blog, a good design, or well-crafted content?

RWKBLG: I read everything through RSS, so I’m mainly concerned with the content.

RCMMNDR: Approximately, how many emails do you get in your inbox each day?

RWKBLG: Around a hundred. Probably more, but I’m too busy deleting them to count.

RCMMNDR: What advice can you give any aspiring bands, record labels, PR, agents, or managers, to help their emails get noticed?

RWKBLG: Keep it short and sweet. I like to have a download link for the album, a streaming link so I can hear it first and a “recommended if you like” pick or two so I can guess if I’ll be interested at all before I take the time to listen.

RCMMNDR: How do you prefer to listen to music online, (ie Soundcloud, Bandcamp, Myspace, iTunes, Spotify, Hype Machine, or any others)?

RWKBLG: I spend a lot of time using both Bandcamp and Soundcloud to find, hear and share new acts. They definitely make my job easier.

RCMMNDR: What is the most common way you discover new music (ie through your network, tips from the industry, tips from friends, gigs, other blogs, traditional media/journalism, emails etc)?

RWKBLG: The more you listen to, the more bands you have to keep track of – I’m just as excited to hear a band’s fourth album as to find a new act. But as far as discovery, I go by friends’ recommendations and find the occasional gem on blogs, via PR emails and by combing Bandcamp.

RCMMNDR: What does the future hold for music blogging? Do you see their importance growing or shrinking in years to come?

RWKBLG: Blogs felt more influential to me in 2005-2007 or so, when they were getting media attention and helping break bands before the mainstream or even Pitchfork. But I think the further democratization of the Internet music scene via Twitter, Spotify, etc., has made most of us less important – it’ll be interesting to see what happens next, but I don’t think blogs drive the conversation anymore.

RCMMNDR: Can you name an artist that you expect to break through in 2011?

RWKBLG: They’re not coming out until the fall, but the new albums by New York’s ARMS and Ravens & Chimes are going to blow minds.

RCMMNDR: Please let us know any useful links to find you elsewhere online (ie, Twitter, Hype Machine, Facebook etc)?

RWKBLG: Beyond Rawkblog.net, I’m also on Tumblr at Rawkblog.Tumblr.com, Twitter at twitter.com/daverawkblog and the Hype Machine at http://hypem.com/list/222.

MUSIC BLOGGING – A TRANSATLANTIC CONVERSTATION

We thought it worth posting about this as it’s an insightful industry talk about music blogs at this year’s In The City Festival, currently residing in Manchester, plus they give our blog a mention, but before you consider us a bunch of self-serving wankers, please note that they genuinely raise many talking points that The Recommender is interested in. They gathered a quality selection of online folk for the panel, including Pitchfork‘s Ryan Schreiber, Drowned in Sound‘s Sean Adams, Hype Machine‘s Dev Sherlock, My Band’s Better Than Your Band‘s Oliver Clueit and Rawkblog‘s David Greenwald.

photo by http://mabvision.com

Sean was supposed to be the moderator but he was stuck in traffic, so for the initial period Rawkblog’s David covered. Topics on the table included the transatlantic difference between music blogs in the UK and USA, the evolution and history of music blogging which proves particularly interesting with veterans of the game like Pitchfork’s Ryan involved, the style of blogging and what makes a blog successful, the relationship between labels/PR and music bloggers, the filters like Hype Machine and the exhaustion of finding those truly enjoyable blogs and ultimately the influence that music blogs have on the industry and it’s audience.

We particularly enjoyed the issue of creating blogs with a genuine voice – which is something The Recommender has always stood for – to actually give a fuck about what you are doing and not just hand out mp3s. As they mention, “The blog’s I really admire are the ones out there looking for new stuff…that really have a ‘voice’, because there’s a lot of blogs out there that are just like bulletin boards…those that actually take the time to write about the subject…and give the reader something a bit more nourishing“. It’s great to hear others talking about the endless list of “shortsighted” blogs that seem to care less, or post “everything”, or “chase hits”.

photo by http://mabvision.com

On this blog we are a strong believer in good editorial, interesting features and developing relationships with the readers, however, with so many millions of music blogs all over the world it’s a very noisy environment, but Oliver from My Bands Better Than Your Band talks of how there’s a natural filtering that will go on. “It’s still very much in it’s infancy…the good blogs will rise to the top…if you’re not reading the content of a blog then people are going to realise“, before he states that this will also in turn help the relationships between the industry and the tastemaker bloggers.

As a blogger who feels very well networked with others, it’s great to have these discussions and connect the dots that we see on a daily basis. There’s an evolution that’s occurring online and it’s important to not just be in it, but be a part of it. Have a listen and let us know your thoughts. In the mean time, ahem, we’re off to write up that latest remix of Lady Gaga.
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