It’s no secret that The Recommender is a massive supporter of the Manchester-based quartet, Everything Everything. They earned the accolade of Track of the Year 2010, with Suffragette Suffragette in December, as well as grabbing a top five position in our Albums of 2010, with their début Man Alive.
The album was subsequently toured around the UK, to much acclaim, before they repeated the circuit on board the NME tour bus. They now stand at the foot of Festival Mountain, as another (rainy) British summer brings us an endless run of field-based frivolity. As you can see below, they’re hitting plenty of the major festivals, including a selection from around Europe, but they start with the big daddy – Glastonbury.
Prior to this tour of rural performances they’re setting up a couple of festival warm-up gigs. We’re lucky enough in Brighton to get the first of these preparation shows at the Concorde 2 venue on Friday (24th June). We’ve been reliably informed that the band have also been working on their second album, so we hope to witness the possible first outings of some new material, alongside the début’s big hitters.
It will be particularly interesting to see if there are any signs of life after their promising beginnings. We had an exceptional amount of talent, skill and originality on show with the first album, so the future looks bright, but it’s also worth noting that they weren’t burnt out with over-saturated hype, which is so commonplace in today’s music media. It’s signs like these that suggest this band could slowly grow into one the UK’s biggest and best. Could this be a band that headlines one of these festival stages in the future? (MB)
24th June – Concorde 2, Brighton
25th June – Thekla, Bristol
26th June – Glastonbury Festival, Pilton
2nd July – Arras Festival, France
3rd July – Rock Wertchter Festival, Belgium
7th July – Optimus Alive Festival, Portugal
9th July – T In The Park, Balado
10th July – Lounge On The Farm, Canterbury
16th July – Melt Festival, Germany
17th July – Latitude Festival, Southwold
14th August – Summer Sundae, Leicester
23rd August – O2 Academy Glasgow (supporting Interpol)
24th August – Aberdeen Music Hall (supporting Interpol)
27th August – Reading Festival, Reading
28th August – Leeds Festival, Leeds
We wish to bid farewell to 2010, which turned out to be a bumper year for this music blog, with many highlights, in a year in which our visitor numbers improved, our network grew like never before, we received more comments per post, our credibility as a music commentator grew, and our reach continued to stretch around the globe.
The single biggest thing that we experienced was the blog’s full redesign. A wonderful job was completed by Andy Nelson, a full-time web designer, who also happens to be the excellent lead guitarist from one of Brighton’s most joyful bands, :Kinema:. “Slick” was the word most commonly used by the many people that mentioned it on Twitter and in our comments section.
Our editor, Mike, was interviewed on radio stations both here in the UK and in the US, as well as getting decent mentions, such as ‘Website Of The Week‘, on major music websites around the world. Cloud Speakers.com and Musformation.com Q&A’d us and they have been known to quote our tweets to help inform professional musicians.
Our Twitter account has grown month by month and as we close the year we are about to hit 2000 followers. We put a lot of effort into throwing out our opinions on there, alongside some decent updates and genuinely useful links, to make sure it’s rewarding and providing additional information (that you won’t find on the main blog) to our followers. As a consequence, the large American website, Flavourwire, put us in their ‘top 10 music critics to follow on Twitter‘.
We were also made a proud ‘Charter Member’ of the all-too-brief global blog collective Strangers In Stereo, which launched in style at SXSW, before it’s untimely demise only a few months later, but the creator Will Hines informs us that he plans a return, so it’s not over, just due for a full re-launch in 2011. One of the best things to come out of it was being fully integrated with an expanded network of high quality music bloggers.
We covered this year’s SXSW Festival like never before, as we sent our contributor and Austin local, Olivia, around the town to hunt out the giant festival’s highlights. Meeting up with many fellow bloggers, chatting with Anthony the creator of the Hype Machine, and reviewing what seemed like a million bands. You can read that coverage here.
The music industry continued to interact with us on a greater scale in 2010, with A&R employees, record labels and booking agencies picking up on The Recommender’s popularity and ability to help discover new music. We were fortunate enough to be lavished with free drinks, dinners and a multitude of guestlist shows by a handful of these companies, allowing us to feel a sense of appreciation and respect.
PR companies were kind enough to hand our blog a selection of exclusives throughout the year, which is always appreciated. This was alongside being sent many new albums, EPs and single releases, both in the post and digitally, with 2010 being a year that physical promo copies were replaced more and more by digital ones.
In February we launched The Recommender’s parties, a monthly get-together, based at venues in central Brighton, showcasing some of the finest cutting edge talent from around the world. Every show seemed to produce exceptional performances, which we hope is partly due to the effort we put into making it feel like a proper party, rather than a standard gig. The Phenomenal Handclap Band, We Have Band, Velo, Young Empires, The Foreign Office and King Charles, all stated that they had experienced their best ever gig in the UK at the close of their amazing sets.
One major highlight from our promotions was the packed out after-party that we organised for The Great Escape Festival back in May, alongside the magazine that we continue to proudly write for, Brighton’s ‘going out bible‘, The Source Magazine. Five amazing bands were on show, with King Charles stepping in at the last minute, after Velo sadly had to pull out. The venue is probably still trying to repair the roof, which was duly removed by all five thunderous performances.
During November, we were once again asked to vote in the annual BBC ‘Sound Of 2011‘ poll, amongst just 165 of the UK’s nominated tastemakers, with two out of our three votes making the list. The final winners of this will be announced in the first week of January.
As the year closed we provided our large, annual posts, that always turn out to be among the most popular of each year, with Everything Everything scooping ‘Track Of The Year‘, with ‘Suffragette Suffragette‘, and Sleigh Bells’ ‘Treats‘ earning ‘Album Of The Year‘.
Since the blog’s re-design we’ve dipped into new areas with our editorial too, as we tried our first forays into reviewing, rather than our typical previewing. This allowed us to write the occasional negative piece – how else can you do it if you’re being honest – about some of the worst music on show this year, and more recently with the post titled, ‘The Most Disappointing Albums of 2010‘. Although we fully intend to remain a largely positive site, who’s intention is to make your lives better with amazing music, this other style of editorial always stirs up debate, which is also healthy.
One successful, new idea was to hold a peers-only vote for ‘The Best Music Blogs Of 2010‘, where we invited everyone on our network of music bloggers, from around the world, to nominate their three favourite music blogs. The response was enormous, with the post receiving more visitors than any other posts this year, as well as getting mentioned all over the web and the social networks. Votes arrived in their hundreds and the overall winner was announced as the very friendly Sunset In The Rearview.
Looking ahead to next year we will certainly do the vote again, alongside all of our other successful, annual posts. We plan to do a 2011 preview on our next piece, which seeks to point out and predict the year’s hotly anticipated releases, so make sure you head back here soon for that.
All that is left to say is a MASSIVE thank you to all of our contributors, all of the industry professionals who have interacted with us this year, all of the music bloggers in our network, all of the bands that have played absolute blinders each month, but most of all to our readers. Without you all we wouldn’t exist. Music is one of those things that serves to make life that little bit better, so we wish to raise a glass for all those people that enjoy searching it out.
