HOORAY FOR EARTH

What’s in a band name? Does it even matter? Before we continue this debate and take you into clichés such as “you can’t judge a book by it’s cover” etc, please consider that this band nearly cost themselves a blog post on The Recommender because of their somewhat silly name. They obviously won’t care one jot, but we do, because we don’t like to miss posting about bands that sound this amazing.

We received an email last summer, around the time of their Momo EP, informing us about this exciting, new quartet from Boston, who had been making waves on the live circuit and American music blogs. They were looking to reach a few commentators over here in the UK, but it seems that we simply glanced at that email, noticing for a second or two that this expanded PR fluff was actually bringing us a band by the name of Hooray For Earth. Yeah, whatever. Rubbish name, move on – which seems to have been precisely what we did.

As ridiculously dismissive as that seems, please bear in mind that music bloggers get an unbelievable amount of emails each day, so it’s easy to miss things. Very easy. Sure we pick up lots too, so we’re thankful for some emails, but with so many time-wasters around making piss-poor music you can perhaps forgive us for being a little bit over-judgemental.

Beyond the name – which doesn’t actually seem quite so bad upon reflection, especially when you consider how uplifting the group’s attitude is – the music seems packed full of gorgeous surprises. On June 6th, they are due to release their second LP, True Loves, (although the UK release is delayed until September), on Dovecote Records, following their debut 2008 self-titled album. Once again they’re found jamming out a style of sweeping pop music, that’s got a heart beat that occasionally races and occasionally calms.

As we look back over their catalogue of available songs we notice an evolution. At their most up front there’s a set of vibrating, wall-of-sound guitar chords that The Big Pink stir up so well, (Form), whilst at their most tempered, they find the kind of psychedelic warmth more familiar with Animal Collective (Rolling/Nectarine).

The track Comfortable, Comparable walks the thin line between charming, zealous pop and that saccharine, over-dramatised dirge that misses the mark. On one side of that line you get New Order, on the other you get the likes of Hurts. It’s a case of the artists getting it or not getting it – Hooray For Earth thankfully get it.

There’s so much to enjoy from their consistently excellent library, but you find your excitement levels peaking at Surrounded By Your Friends, which is only matched in positivity and warmth by their band moniker. It’s a walk in the park on a sunny day, or like experiencing a love story first hand.

If you were hunting for a deal-closer though you should look no further than their most recent single, the new album’s title track True Loves – that has one of the finest videos we’ve seen all year – which once again finds them tempering their barrage of melodic noise, with a more sophisticated structure that is driven by a layered, rolling beat throughout and an endearing set of vocal mantras. It’s an absolute winner and shows them maturing with every turn, now hitting heights with their song-smithery that most musicians can only dream of.

They’ve also been known to try their hands at remixes and covers, even attempting Kanye West’s All Of The Lights, alongside Zambri, with psyched-out results, as well as having been remixed themselves by the likes of Twin Shadow and Oh No Ono, among others. Which ever way you discover them there’s no denying that this is a band capable of creating richly textured and remarkably developed pop music. It seems fitting to end this post with one clichéd but appropriate thought; “that which we call a rose, by any other name would smell as sweet“. (MB)

HOORAY FOR EARTH – SURROUNDED BY YOUR FRIENDS

HOORAY FOR EARTH – TRUE LOVES

HOORAY FOR EARTH – FORM

THE RECOMMENDER – NUMBER 68

ZAMBRI

If you love me, will it be from the start? If you needed me, will we never part?“   So chimes out the lyrics on track From The Start, and it’s perhaps fair to say these words wouldn’t be out of place on a Stock, Aitken and Waterman piece of sickly pop.  However, the warped, doomy vocals sung out on this track, from this pair of Brooklyn sisters, is of the darkest cool, made more from the Patti Smith, Alison Goldfrapp and Karen O school of wizardry.  This ain’t commercial tuneage, but it is strangely and rather addictively alluring.  Echoing sounds of mighty proportions provide the backing as they rattle around each vocal, always impossible to firmly hold, like a swirl of smoke.  It’s the vocals that your ears follow for form with each song, as they are the key to each track’s melody.  And this is the kind of melody writing that’s as reassuring and adventurous as it gets.  There’s charm, love, mystery and fear rammed into every song.  Sometimes it’s perhaps a little over-powering or weird and daring, but just as it loses you in the smoke it often clears with a thudding 80s beat or a seducing refrain.  This is a proper hipster five piece, fronted by two sisters, stirring the underground scenes in New York into a whipped cream.  They join other Brooklyn songsmiths, Sleigh Bells, MNDR, Theophillus London, or the below MEN, in currently creating what we regard as the freshest and perhaps bravest genre-crossing music around at the moment.  You can grab their EP, Bang For Changes, online and the guest remixes from the likes of Does It Offend You Yeah and Death Metal Disco Scene are also well worth a look.  As for us, well, we are to be found on the next plane to Brooklyn.     (MB)

MainZambri.jpg Zambri picture by odelaybradford

Find them here:        Myspace

Hear them here:       ZAMBRI – EASIER

Hear them here:       ZAMBRI – W/SOMEBODY (DEATH METAL DISCO SCENE REMIX)

TinyRedLineForBlog.jpg picture by odelaybradford

VELO

Our expectations have been a little twisted by this new find.  To explain, firstly we were surprised to find out that they are from North London, as this sort of wonderful synth pop has been mastered so well abroad, particularly in Scandanavia and Australia.  Secondly, it nearly always has the Neon Gold, or Modular record label behind it on some level, but alas not on this occasion.  Credit where credit is due, the excellent, and by excellent we mean a truly special, genuinely interesting and well written blog, Illegal Tender, passed this lead onto us.  Not that much is known about Velo, as it seems to be early days for them.  It seems to be fronted by Sie Medway-Smith and Pete Cochrane and for music essentially made at home this is the kind of polished DIY that would impress anyone, particularly the bigger labels who’s pens are apparently poised.  There’s no re-written rules here, as this upbeat, synth-heavy, ultra-catchy sound has been dominant through 2009 and will continue through 2010.  However, because theirs is so perfectly friendly, with immaculate pop choruses that will embed themselves in your inner ears with surgical precision, you will fail to resist their charm assault.  Tidy basslines, with the kind of shiny vocals that Frankmusik attempted pretty successfully, but that haven’t truly been seen since A-Ha.  The real trick that this wonderfully glossy pop achieves is to successfully bridge the gap that stretches between the bloggers and the wider public.  It’s adorably cool.  Additionally they’ve created some delightful remixes for the likes of Ellie Goulding and Penguin Prison, both out of the Neon Gold stable – we knew they had to fit in there somewhere!    (MB)

Find them here:       Myspace

Hear them here:       VELO – WHITE NIGHTS

TinyRedLineForBlog.jpg picture by odelaybradford

MEN

Born out of Le Tigre, members JD Samsom and Johanna Fateman have shifted to this new Brooklyn collective.  Add in three new members and you discover a group of exciting, experimentalists that are as fearless as they are androgynous.  On the surface their sound seems like they’ve simply taken the clash out of Le Tigre’s electroclash and injected some camp, playful pointlessness.  However as you check through the available songs, not only does the incessant salesman somehow close the deal, but you begin to understand the enjoyable and often intricate soundscapes.  Although this new outfit has only been worn for the last few months, they’ve actually been in the business for more than a decade and clearly some lessons have been learned.  They’re like the older, more sophisticated sister to CSS.  Sure they can still bounce, flirt and smile, but each song has an evolution to it.  We all thought that Le Tigre’s Kathleen Hanna was the magic spark, but clearly there’s more when they collect the individual parts together.  This side project has removed Kathleen’s spikey, feminist punk and taken the electronica to a more obvious but irresistable, catchy place.  With these guys they don’t talk about making love, or sex, they talk about fucking.  It’s energetic, it’s frenetic, it’s moves pound and pump on the dancefloor. If the evidence from their recent support slots for Peaches and Gossip are anything to go by, you will feel a little dirty after seeing them live, which is precisely what this blog plans to do later on this week as they arrive to play Brighton.  We think we better take some wet wipes.    (MB)

Find them here:        Myspace

Hear them here:        MEN – OFF OUR BACKS